Star Wars Episode VI: Return of the Jedi now available on RiffTrax

from RiffTrax:

Return of the Jedi. For sixteen years, it was widely regarded as the worst chapter in the Star Wars saga. We now look back upon this period of time, appalled and embarrassed at how naive we were. For while Return of the Jedi may be slow to get started, while it may delay the final confrontation between Luke and Vader in favor of an endless Ewok/Stormtrooper battle, while it may feature C3PO as its main character for the first twenty minutes and while it may have killed off Salacious Crumb instead of making him the focus of the entire movie, consider this: nobody utters the line “Yippee”.

Continue reading (and buy the riff) here.

Weta News: January 2010

from Weta:

Happy New Year!

We hinted before we went on summer holidays that this year was going to be very exciting. We stand by that.

Avatar has truly set new benchmarks for creativity and box office takings as well as taking home two of the most coveted Golden Globes. And Richard Taylor and Weta have been recognised at the Critics’ Choice Movie Awards for Best Makeup!

And we have a couple of new product ranges up our sleeve and we’re continuing our journey through Middle-earth.

Our two Weta Cast hosts, Daniel and Magnus, are feverishly working on a round table discussion between Richard Taylor and some of the artists and craftspeople behind the beautiful designs, maquettes and props from Avatar. This will be an AWESOME podcast.

Announcement — District 9 Collectibles!
We are ENORMOUSLY pleased to be able to announce a range of collectibles and merchandise from District 9, last year’s perhaps most unexpected blockbuster. More details will follow shortly. Keep an eye on our News page.

Master Chief & Arbiter — Master Chief & Flood! Now Shipping!
The most dynamic Halo piece in the galaxy, The Master Chief & Flood, is now shipping, making its way to our warehouses along with The Master Chief and Arbiter — a terrific study in determination and menace. The two pieces join Cortana in our range of Halo sculptures. More about our Halo range here!

Seen Daybreakers yet?
Weta’s been heavily involved in making special makeup effects and prosthetics on a very exciting new movie called Daybreakers. Starring Ethan Hawke, Sam Neill and Willem Dafoe and directed by Australian directors the Spierig Brothers, Daybreakers promises to be a big hit not only among vampire genre fans. Currently showing in the US and other parts of the world, other territories (like New Zealand) will have to wait until March. More here!

Now is the time to get a complete Doctor Who helmet collection!
We’re taking £10 off the price of each helmet until Monday 1 February. That means the Sycorax, Sontaran Officer Linx, The Ice Warrior and the Industrial Welding Mask are only £22 (US$41 | NZ$58+GST) and that The Cyberman Leader Helmet and Lord President Borusa’s Headdress are £28 (US$44 | NZ$62+GST). Save £60 (US$93 | NZ$133+GST) on a whole set! Top reasons why you should get Weta’s Doctor Who helmet collection? They’re absolutely exact replicas of the full size props. Modelmaker David Tremont (who is a complete and utter Who-ligan) has had access through his extensive contacts to some of the originals to ensure accuracy. They’re 1/4 scale, which means “fist sized”, cast in white metal, weigh about 2 lbs (1kg) each and perfectly capture the menace of a Doctor Who baddie. They are AWESOME. Especially when all six are lined up. Get your set now!

Bag End update from Daniel Falconer
Says Daniel: One of the first things to do when the notion of producing Bag End as a miniature collectible environment was mooted was to get some artwork for us all to look at and discuss. We can talk about a piece all we want but it’s impossible to really begin meaningful discussion until a visual exists that defines the bounds of the piece. With a common visual to reference the team can discuss specifics, like, “Will it include the tree? If it does, how big does that necessitate the collectible being…” Check out the article for more. And Pictures!

Have you noted the sweet, sweet smell of VICTORY?
We’ve had some really flattering reviews come in for Greg Broadmore’s latest book, VICTORY — Scientific Adventure Violence for Young Men and Literate Women. Read the reviews on our VICTORY page!

The Lord of the Rings on Blu-Ray from Warner Bros.
What Entertainment Weekly describes as “The best film of the decade!” will shortly be available as a Blu-Ray box set direct from Warner Bros. It will even include a Weta discount coupon! Read more about this release.

Follow Weta Online! Twitter | Facebook

12X Blu-Ray “Star Trek” Phaser — Featured on HacknMod.com

320mA’s – 465mW’s…

Star Trek Phaser Mod Tutorial by jayrob

Heatsink and other parts available here.

Diode source: Pioneer BDR-205 12X writer. (405nm)

Hack N Mod article (tutorial): “DIY Laser Build: 12X Blu-ray Star Trek Phaser!

See Also: 140mW Green Star Trek Phaser — Balloon Pop

“RiffTrax Live: Plan 9 from Outer Space” DVD

RiffTrax Live: Plan 9 from Outer Space

RiffTrax‘s first nationwide riffing, RiffTrax Live: Plan 9 from Outer Space, is now available on DVD. What is RiffTrax, you might ask?

RiffTrax is an innovative site featuring the hilarious DVD commentaries of Michael J. Nelson — star of the legendary Mystery Science Theater 3000! At RiffTrax.com, you can download feature-length commentaries by Mike (plus other stars of MST3K and guest celebrities) and listen to these “RiffTrax” in sync with your favorite, and not so favorite DVDs. It’s like watching a movie with your funniest friends!

If you weren’t lucky enough to catch the live performance, this DVD is your ticket to what you missed. Geek fixture Veronica Belmont, host of Internet shows Tekzilla and Qore, emcees the event, presenting RiffTrax Live and the cast — not that the stars of RiffTrax really need an introduction. Mike Nelson, Kevin Murphy, and Bill Corbett are long familiar to fans of Mystery Science Theater 3000, where Mike was the successor to host and show creator Joel Hodgson, and Kevin and Bill served as the second voices of robots Tom Servo and Crow. After taking to the stage and engaging in a bit of patter with the clearly excited audience, the trio launches into the pre-feature short film, Flying Stewardess, a 1940s-era training documentary that’s apparently shot in an alternate universe where travellers are treated to spacious seating, personally cooked meals, full beds and turn-down service on night flights, and breakfast in what appears to be an onflight bistro. As if that wasn’t enough material to mock, the film is also ripe with sexism and has a meandering narrator that the riffers really sink their teeth into. Airing after Flying Stewardess is Flour & Grain Expo, the first of the live show’s fake sponsor commercials created by Somethingawful.com’s Rich “Lowtax” Kyanka. This ad, and the later Berry Watch, spoof the low-budget ads common to public access television, and are arguably the weakest portion of the evening’s entertainment (along with a prize giveaway that could have easily been trimmed from the DVD), so luckily the next segment is a brilliant set from musical guest Jonathan Coulton. Choosing songs to fit the Plan 9 from Outer Space theme, Coulton sings “The Future Soon” and “Re: Your Brains”, inviting the audience to participate in the latter song’s refrain of “all we want to do is eat your brains” while Kevin Murphy does an increasingly amusing impersonation of a zombie to cue the audience to their line. At this point in the show, audience energy noticeably starts to pick up, with camera pans revealing attendees laughing out loud and singing along with big smiles on their faces. Jonathan Coulton then joins The Rifftones, the RiffTrax crew’s singing group, to perform “Plans One Thru Nine”, an introductory song to Plan 9 from Outerspace that leads neatly into the main feature.

RiffTrax Live: Plan 9 from Outer Space uses the newly colourized version of Plan 9 from Outer Space from Legend Films, which is a bit disappointing for fans of the original black-and-white film, especially since a track of the original, unriffed movie isn’t included on the disc like it was on RiffTrax‘s studio production of Plan 9 from Outer Space. As one person posted on Amazon, though, “If you want to be a purist just turn off your color bar and see it in the original GLORIOUS B&W version as originally released by Ed Wood to theaters in 1959.” The riffing on the film, however, is top-notch, as one would expect from veterans of Mystery Science Theater 3000. Granted, with Plan 9 from Outer Space, the masterpiece of B-movies, the jokes practically write themselves. Audience members giggle from time to time in spots where a riff hasn’t been made, because what is happening on the screen is still funny without any witty commentary. The riffers occasionally appear throughout the movie in three panels that pop up on the left side of the screen (ideally, being a live show, they would have been on-screen at all times), allowing viewers to see their expressions and gestures as they perform, which is fascinating for movie-riffing fans used to just seeing silhouettes or hearing disembodied voices. It’s particularly fun to see them crack each other up or run with a flubbed line. You’ll need to watch the film a couple of times to catch everything, because when the performers are visible, the tendency is to watch their antics instead of the film.

The DVD is very well-designed, with “Plans One Thru Nine” playing in the DVD’s main menu, and Jonathan Coulton’s songs enhancing the Scene Selection and Special Features sub-menus. The special features are uncut versions of the Flour & Grain and Berry Watch commercials, and a behind-the-scenes slideshow, which consists of captioned, still pictures taken during preparations for the show. As an extra bonus, a coupon for a free RiffTrax Download of Harry Potter and the Chamber of Secrets is tucked inside the DVD case, so you can try out one of the site’s regular riff offerings, if you haven’t already.

Hopefully RiffTrax Live: Plan 9 from Outer Space is the first in a series of RiffTrax Live DVDs, and December’s RiffTrax Live: Christmas Shorts-stravaganza, a holiday collection of short films with special guest riffer “Weird Al” Yankovic, will soon follow. RiffTrax‘s fellow riffers, Cinematic Titanic, recently released their own live DVD to much success, so there’s obviously a market for this new style of riffing.

Pre-order at Amazon.com:
RiffTrax Live: Plan 9 from Outer Space

Or order directly through the RiffTrax website.

RiffTrax Live: Plan 9 from Outer Space is distributed by RiffTrax and Legend Films.

VIZ Media Announces the Highly Anticipated Release of Stan Lee and Hiroyuki Takei’s “Ultimo”

from VIZ Media:

VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, in conjunction with Stan Lee’s POW! Entertainment (PK:POWN) has announced the highly anticipated release of the new manga Ultimo on February 2nd. Ultimo is the result of a historic collaboration between comics legend Stan Lee, co-creator of many iconic superheroes including Spider-Man, the Fantastic Four, and the X-Men, and Hiroyuki Takei, the creator of the popular Shaman King manga series. Ultimo, rated “T” for teens will carry a MSRP of $9.99 US/$12.99 CAN.

With girl and money troubles, life is hard enough for high school student Yamato, but then he stumbles upon Ultimo, a peculiar-looking puppet. Things only get stranger when Ultimo awakens and his archenemy, Vice shows up. Ultimo and Vice are Karakuri Dôji, the mechanical embodiment of pure good and pure evil, devoid of human emotions that can cloud one’s judgment. Their purpose: to battle to the death to prove once and for all whether good or evil is the most powerful force in the universe.

For over half a century, Stan Lee has been synonymous with superhero comics. In addition to creating countless memorable series and characters, including Spider-Man, the Incredible Hulk, the Fantastic Four, the X-Men and Daredevil, he served as the former president and chairman of Marvel Comics. Lee remains a hugely respected and dynamic figure in the entertainment industry and continues to develop a variety of film, television and video game properties.

“I am indescribably thrilled to have the honor of working with the famous and extremely talented Hiroyuki Takei on our exciting creation Ultimo. I feel that Ultimo combines the very best of Western mythology with the very best of Japanese manga,” says Stan Lee. “It gives me the greatest pleasure to be associated with VIZ Media on such an exciting and ground-breaking project.”

Unconventional author/artist, Hiroyuki Takei began his career by winning the 1994 Tezuka Award. After working as an assistant to famed artist Nobuhiro Watsuki (Rurouni Kenshin), Takei debuted in Weekly Shonen Jump in 1997 with Butsu Zone, an action series based on Buddhist mythology. His multicultural adventure manga Shaman King debuted in Japan in 1998 and has been adapted into a popular animated television series. The Shaman King manga series is also published in North America by VIZ Media; for many years it was serialized in English in Shonen Jump magazine.

“While it’s epic in scope and rich in mythology, the Ultimo storyline is grounded in modern teen angst which is what fans will gravitate to. It’s manga, but it’s got that ‘Stan Lee’ feel of the teenager who suddenly has all this power and can’t believe how crazy that is,” says Joel Enos, Senior Editor for Shonen Jump Manga, VIZ Media. “This story has found a common ground between Western comics and Eastern manga. Here you have two amazing creators, all this action, robots, and the universal theme of pure good vs. pure evil, all the while staying in high school youth culture and the drama and depth of everyday kids.”

For more information on Ultimo, please visit shonenjump.com/ultimo.

Eric Powell’s Eisner-Winning “The Goon” Returns in 2010!

from Dark Horse Comics:

Fans and critics alike rejoiced in 2008, when creator Eric Powell took his redneck zombie noir, The Goon, monthly for an entire calendar year. Following the release of the landmark graphic novel Chinatown and the Mystery of Mr. Wicker, Powell laid out his most complex story line to date, spanning twelve issues. In 2009, the creator celebrated the tenth anniversary of the title, releasing a special anniversary issue to coincide with a burlesque anniversary party in his honor in Nashville, followed by a special all-silent issue in November. While both were strong standalone issues, the significantly lighter release schedule left fans wondering what’s next for the madcap mercenary.

Now, The Goon goes digital, as both Chinatown and the Mystery of Mr. Wicker and The Goon #7, which features Hellboy, are made available on the iPhone platform. Chinatown marks Powell’s first self-contained graphic novel, which chronicles the earliest adventures of Goon and his wisecracking sidekick, Franky. After a new figure in the crime scene begins taking out the Goon’s business operations one by one, the Goon’s darkest moment comes back to haunt him, when his mind and body were left scarred… and his heart was left black. This new platform promises to expose an all-new readership to comics’ most beloved brute.

Not to worry, however: longtime fans will be rewarded with an all-new spinoff title based around Goon Year’s most notable character, Buzzard. Eric Powell gives one of his most beloved and mysterious characters his own highly anticipated, three-issue miniseries.

Following his brutal showdown with the loathsome Zombie Priest, Buzzard leaves his home, wandering aimlessly until he steps into the shadowy spirit realm of the forest. A dark path leads him to a small village living in fear of a bestial race of savages. More animal than man, these creatures hunt the villagers and drag them from their slumber in the depth of night.

“Buzzard has always been a personal favorite of mine from the Goon cast, and from the amount of requests I’ve gotten to give him his own series, I imagine he’s a favorite of the readers as well,” said Goon creator Eric Powell. “I’m really excited to finally be giving him his own story, along with the revival of Billy the Kid’s Old Timey Oddities!”

For those who missed Goon Year, Dark Horse will be giving this twelve-issue story line the deluxe treatment with the release of Fancy Pants Edition Volume 3: Goon Year on July seventh. Powell’s all-new Buzzard series will arrive on shelves later this fall.

Look for news forthcoming on the return of the Billy the Kid’s Old Timey Oddities short stories — a revival of the series from 2005 that paired Eric Powell with artist Kyle Hotz. The three-issue series will launch later this year.

Chinatown and the Mystery of Mr. Wicker is available for download today in the iTunes store. For a limited time, this heart-wrenching story is available for the sale price of 1.99. In addition, the celebrated one-shot The Goon #7 is available for free download for the next three days.

For more information, visit www.darkhorse.com/features/mobile.

There has never been a better time to find out what you’ve been missing!

VIZ Media Announces the Launch of the “Kekkaishi” Animated Series on Hulu

from VIZ Media:

Today, VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, brings the animated demon-battling action and adventure of Kekkaishi to Hulu, an online video service that offers hit TV shows, movies and clips at Hulu.com and other online destination sites — anytime in the U.S. The series debuts with 5 episodes with new installments launching each week. To view Kekkaishi, please visit Hulu.com.

Kekkaishi is based on a hit manga series by Yellow Tanabe (also published in North America by VIZ Media). Mystical forces are powerful in the region called Karasumori. For over 400 years, it has been the duty of a clan of “kekkaishi” — barrier masters — to guard the land and exterminate the supernatural creatures that are drawn to the area night after night.

Yoshimori Sumimura is a junior high school student at Karasumori Academy. Following in the tradition that’s been passed down through generations, he is the twenty-second “kekkaishi” of the Sumimura clan. But by day, Yoshimori’s got other demons to battle: an addiction to sweets and a seriously crotchety grandfather! Yoshimori’s pretty neighbor, childhood friend and rival, Tokine Yukimura, is also a “kekkaishi,” but their families are feuding over who is the true practitioner of the art. Protecting people from danger while growing stronger himself, Yoshimori will battle the forces of evil again tonight!

Kekkaishi is the latest series to join the VIZ Media family of animated titles available to U.S. audiences on Hulu and we hope that fans will enjoy its lively mix of adventure, comedy and demon-slaying action,” says Candice Uyloan, Director, Brand Management at VIZ Media. “We are committed to utilizing the web to deliver the best in anime through innovative web-based, video streaming outlets like Hulu. Kekkaishi is an exciting addition to all the other top-rated anime from VIZ Media and we invite audiences to dive into this new series!”

Other VIZ Media animated titles available on Hulu include: Bleach, Buso Renkin, Death Note, Hikaru no Go, Honey and Clover, InuYasha and InuYasha: The Final Act, Nana, Naruto and Naruto: Shippuden, and The Prince of Tennis.

For more information on Kekkaishi or other Shonen Sunday series, please also visit shonensunday.com or viz.com.

Gina Chiarelli Joins the Cast of Riese!

Gina Chiarelli

Series co-creator Ryan Copple announced today that Gina Chiarelli has joined the cast of Riese the Series. Copple said, “She’s an amazing actress and actually the acting coach Christine (Chatelain) has used. She’s won and been nominated for a LOT of theatre awards. She plays Cacilia, a High Priestess of the Sect, residing in Asgard.”

While sci-fi fans might recognize her from shows such as The Dead Zone, Masters of Science Fiction, and The Outer Limits, Chiarelli has appeared in dozens of shows on television, film and stage. Most recently she received critical acclaim for the film See Grace Fly, in which she plays a schizophrenic woman whose behavior becomes increasingly erratic after the death of her mother.

She was nominated for a Genie Award for Best Actress, won Best Actress at the Vancouver International Film Festival and a Leo Award for Best Actress for her role as Grace, and has half a dozen other awards for various stage and film projects she’s worked on. In addition to being an award-winning actress, Chiarelli is also a producer and personal acting coach.

Chiarelli’s character, Cacilia, will appear in Chapter 2 of Riese, which begins filming soon in Vancouver and will air through various online outlets beginning in early 2010.

Riese is a sci-fi/fantasy series richly influenced by history, mythology, folklore and steampunk. It follows a young woman and her companion, a wolf named Fenrir, who travel through a collapsing world trying to piece together the fragmented memories of her past while attempting to evade the dangerous religious cult that hunts her. With a high budget compared to other web series, and filmed on the RED camera in high definition, the show is visually beautiful. The wardrobe, music and depth of story all contribute to creating the world of Eleysia.

Riese features sci-fi regulars such as Christine Chatelain (Sanctuary, Supernatural, The Collector), Sharon Taylor (Smallville, Stargate Atlantis, Eureka), Patrick Gilmore (Stargate Universe, Battlestar Galactica), Ben Cotton (Harper’s Island, Stargate Atlantis, Taken), Ryan Robbins (Sanctuary, Caprica, Battlestar Galactica, Stargate Atlantis), Peter Kelamis (Stargate Universe, Dragon Ball Z, The X-Files), Emilie Ullerup (Sanctuary, jPod, Battlestar Galactica), Allessandro Juliani (Battlestar Galactica, Smallville, Death Note), and Allison Mack (Smallville, Alice & Huck).

Find out more about Gina Chiarelli here:

Gina Chiarelli Official Website
Gina Chiarelli on IMDb.com
See Grace Fly

Check out more information about Riese the Series here:

Riese the Series Official Web Page
Riese the Series Store (Buy Merchandise! Fund Chapter 3!)
Riese the Series Channel on YouTube
Riese the Series on KoldCast.TV
Riese the Series Official Forum
Riese the Series on Facebook
Riese the Series on Twitter
Riese the Series Fansite

The Countdown Begins to “Riese the Series” Chapter 2!

Riese the Series has wowed viewers since it launched its premiere episode, “Hunt,” on November 1, 2009, on KoldCast and YouTube. Since that time, they’ve have over 1,000,000 views. Chapter 1 wrapped up two weeks ago on January 4th and Chapter 2 begins on February 1st. So as not to leave us high and dry when we’ve come to rely on our Riese fix every two weeks, Riese the Series has graciously posted a trailer for Chapter 2 and it looks soooooooo good. We are definitely going to see more of this incredible world that co-creator Ryan Copple was telling us about when we spoke with him last September. Already at the top of the list of best web series of 2009, this show promises to just keep getting better in 2010.

Riese is a sci-fi/fantasy series richly influenced by history, mythology, folklore and steampunk. It follows a young woman and her companion, a wolf named Fenrir, who travel through a collapsing world trying to piece together the fragmented memories of her past while attempting to evade the dangerous religious cult that hunts her. With a high budget compared to other web series, and filmed on the RED camera in high definition, the show is visually beautiful. The wardrobe, music and depth of story all contribute to creating the world of Eleysia.

Riese features sci-fi regulars such as Christine Chatelain (Sanctuary, Supernatural, The Collector), Sharon Taylor (Smallville, Stargate Atlantis, Eureka), Patrick Gilmore (Stargate Universe, Battlestar Galactica), Ben Cotton (Harper’s Island, Stargate Atlantis, Taken), Ryan Robbins (Sanctuary, Caprica, Battlestar Galactica, Stargate Atlantis), Peter Kelamis (Stargate Universe, Dragon Ball Z, The X-Files), Emilie Ullerup (Sanctuary, jPod, Battlestar Galactica), Allessandro Juliani (Battlestar Galactica, Smallville, Death Note), and Allison Mack (Smallville, Alice & Huck).

Check out more information about Riese the Series here:

Riese the Series Official Web Page
Riese the Series Store (Buy Merchandise! Fund Chapter 3!)
Riese the Series Channel on YouTube
Riese the Series on KoldCast.TV
Riese the Series Official Forum
Riese the Series on Facebook
Riese the Series on Twitter
Riese the Series Fansite

Avatar — Dances with Wolves Meets Dune in 3D!

Avatar

by Rebecca McCarthy

I suppose I should warn everyone that this review will be drowning in spoilers, although since this movie is only worth seeing in all of its big-screen-3D-wonder, if you haven’t seen it yet then you are getting what you deserve. I, for one, saw Avatar on opening day. It wasn’t by design, mind you. A friend called and asked if I wanted to go see a cool 3D movie, and the answer to such a question must always be yes. Ever since I was a year old and my parents slapped a pair of 3D glasses on my face and took me to see Jaws 3-D (at which I promptly fell asleep), I have been a huge fan of the 3D movie. Technology and my attention span have both improved since then. Avatar is insanely pretty to watch, which means that at first it completely distracts you from the dusty old cliché that is the plot.

Avatar was so distractingly pretty that for the first thirty minutes I didn’t have a single complaint. I wave my hand in front of my face a couple of times to watch it pass through the little 3D leaves, the effects were that amazing. However, such amazement couldn’t last. My boyfriend leaned over and whispered, “Why can’t the natives ever save themselves?” The crashing sound I heard was my bubble bursting, and I was forced to ask myself just what was Avatar actually saying up to this point? It was kind of like going out on a blind date, I was so overjoyed to discover that my date was gorgeous that I completely overlooked everything he said until my waiter pointed out that my date was trying to eat the tablecloth. Actually, if Avatar was metaphorically eating the tablecloth that would have been more interesting than the truth, which is that the plot was simply over-used cliché and the foreshadowing so obvious that I predicted the rest of the movie before we hit the midway point. The rest of the time I spent whispering to my boyfriend about what would happen next as if I were some kind of cinema oracle. Even that got old.

How is the plot cliché? Well, let’s start from the beginning. First we have our hero who is a crippled ex-soldier brought into this scientific off-world experiment because his twin brother, the scientist, was killed and they have matching DNA. This sets up that our guide for this story is both new to the project (allowing the perfect excuse for every supporting character to explain what’s going on to both the hero and the audience) and still an “every man” that the typical movie-goer can relate to; let’s call him Joe Snuffy.

Joe is sent to this new planet called “Pandora” (hehe, that’s supposed to be funny. You know, the whole mythological box filled with badness that’s opened… never mind, just trust me, it’s funny). There is this super material that we humans are mining that is only found on this planet, let’s call it spice (for all you Dune fans who know the similarities). Apparently a large quantity of this spice just so happens to be sitting directly under the native village, and we humans being the capitalist pigs that we are have sent a corporation with the support of a paramilitary organization (think Blackwater) to negotiate the natives off their land so we can tear down their forest and make lots of money. Humans can’t breathe the air, plus every living thing on the planet is a super-charged killing machine, so the scientists stole native DNA, fused it with a little human DNA, to grow hybrid bodies that they could then jack into using high tech computer know-how. (Is it me, or does that seem a little wrong to you?) So now Joe Snuffy gets to link into the matrix and go running around in the heart of darkness with his borrowed alien legs.

Enter pretty native girl. Since the first native Joe meets just happens to be the daughter of the tribal leader, and she also saves Joe’s life due to some spiritual sign, we will call her Pocahontas. No, that’s too long; we’ll call her P for short. P gets the indigenous people to accept Joe’s stolen alien body into the tribe and she teaches him about her people. They just happen to be naturalists, believing all life is connected and relying upon a great Mother. Well, they believe all life is connected because that happens to be physically true in this world.

By some fluke of evolution or bad design of the great mother, the living creatures of this planet happen to have their brainstems dangling from the outside of their bodies. By wrestling an animal down and forcing a brainstem mind-meld on them a native can make a connection with the animal which makes the animal theirs for life. When we heard this brainstem connection explanation a friend leaned over and asked, “What’s with the bestiality?” I thought it was a valid question.

Back to the clichés, the military types are getting impatient, and so is the corporation head. They gave Joe three months to convince the natives to get out of their big tree and mosey on, and Joe was too busy jumping animals, and P, to even casually mention the potential invasion should the natives not leave. The portrayal of the military in this movie is not a cuddly one, so naturally Joe gets himself accepted by the tribe just in time for the big bad general to decide that he has waited enough. He is going to blow up the big tree.

So where does this leave us? Oh, yeah, when the natives see the humans blowing things up they feel a little betrayed and when P’s father is caught up in the explosion and has just enough dying breath to pass the care of the tribe on to P, she tells Joe that she never wants to see him again. (Or something equivalent to that.) But it’s okay because it was already foreshadowed that Joe has to tame this flying dino-bird that is basically akin to the great white of the skies. P’s great-grandfather was the only alien to ever force his brainstem on this creature, and because his bird was the biggest he was able to unite all of the tribes and was considered a great spiritual leader, so naturally some white guy from Earth will be able to pass as the alien messiah, right?

Do I hear some bubbles bursting? Yes, that’s right my friends and neighbors, Avatar teaches us that the indigenous people have to humble themselves and accept help from the Man so they can fight off, well, more of the Man in order to save their natural habitat. Should I even keep going with this? Cameron tries to take on every possible issue in this movie. Let’s see, first there is the whole “corporations are evil” business, with a nice big helping of imperialist critique layered on, but there is also a lot of environmental talk, especially when Joe tells the great mother how there is no green left and how, “We [being humans] killed our mother.” Oh, I also loved the scene where the mean general is pumping up his troops for war and says, “We will fight terror with terror.” I wonder what James Cameron is trying to say there? Then again, it’s Joe’s prayer to the great mother that gets answered. Why his and not one of the natives’? Why can’t the natives save themselves?

And that is the major problem that I have with this movie. I understand the need to have an outsider as the guide for the plot — the audience needs someone who needs the explanations — but the movie usually isn’t just about that outsider but about the community he enters, and typically the grand events surrounding that community shouldn’t change just because they have a new teammate. This is going to sound horrible, but this is where The Last Samurai got it right. Yeah, it’s a long shot to believe that Tom Cruise would be accepted into the samurai’s culture, but his acceptance didn’t change their fate. Cruise’s character was simply there as our eyes, but the events surrounding everything were bigger than him, as most events are typically bigger than just one man.

So in Avatar this one guy was the difference in this whole war? This one white guy gets on the scene and then suddenly the native race with just sticks and stones is able to overcome the whole supercharged human army? Really? If they could do that couldn’t they have done it without Joe Snuffy leading the charge? It was insulting. Even the ending was so incredibly predictable. (This too seemed like another back-handed insult. So the crippled guy can’t stay crippled, huh? Just had to get him legs.) If all you want to see is the shiny new technology then, yeah, go see Avatar. However, if you are interested in plot and want to see a similar movie, but better, go rent The Last of the Mohicans.