Avatar — Dances with Wolves Meets Dune in 3D!

Avatar

by Rebecca McCarthy

I suppose I should warn everyone that this review will be drowning in spoilers, although since this movie is only worth seeing in all of its big-screen-3D-wonder, if you haven’t seen it yet then you are getting what you deserve. I, for one, saw Avatar on opening day. It wasn’t by design, mind you. A friend called and asked if I wanted to go see a cool 3D movie, and the answer to such a question must always be yes. Ever since I was a year old and my parents slapped a pair of 3D glasses on my face and took me to see Jaws 3-D (at which I promptly fell asleep), I have been a huge fan of the 3D movie. Technology and my attention span have both improved since then. Avatar is insanely pretty to watch, which means that at first it completely distracts you from the dusty old cliché that is the plot.

Avatar was so distractingly pretty that for the first thirty minutes I didn’t have a single complaint. I wave my hand in front of my face a couple of times to watch it pass through the little 3D leaves, the effects were that amazing. However, such amazement couldn’t last. My boyfriend leaned over and whispered, “Why can’t the natives ever save themselves?” The crashing sound I heard was my bubble bursting, and I was forced to ask myself just what was Avatar actually saying up to this point? It was kind of like going out on a blind date, I was so overjoyed to discover that my date was gorgeous that I completely overlooked everything he said until my waiter pointed out that my date was trying to eat the tablecloth. Actually, if Avatar was metaphorically eating the tablecloth that would have been more interesting than the truth, which is that the plot was simply over-used cliché and the foreshadowing so obvious that I predicted the rest of the movie before we hit the midway point. The rest of the time I spent whispering to my boyfriend about what would happen next as if I were some kind of cinema oracle. Even that got old.

How is the plot cliché? Well, let’s start from the beginning. First we have our hero who is a crippled ex-soldier brought into this scientific off-world experiment because his twin brother, the scientist, was killed and they have matching DNA. This sets up that our guide for this story is both new to the project (allowing the perfect excuse for every supporting character to explain what’s going on to both the hero and the audience) and still an “every man” that the typical movie-goer can relate to; let’s call him Joe Snuffy.

Joe is sent to this new planet called “Pandora” (hehe, that’s supposed to be funny. You know, the whole mythological box filled with badness that’s opened… never mind, just trust me, it’s funny). There is this super material that we humans are mining that is only found on this planet, let’s call it spice (for all you Dune fans who know the similarities). Apparently a large quantity of this spice just so happens to be sitting directly under the native village, and we humans being the capitalist pigs that we are have sent a corporation with the support of a paramilitary organization (think Blackwater) to negotiate the natives off their land so we can tear down their forest and make lots of money. Humans can’t breathe the air, plus every living thing on the planet is a super-charged killing machine, so the scientists stole native DNA, fused it with a little human DNA, to grow hybrid bodies that they could then jack into using high tech computer know-how. (Is it me, or does that seem a little wrong to you?) So now Joe Snuffy gets to link into the matrix and go running around in the heart of darkness with his borrowed alien legs.

Enter pretty native girl. Since the first native Joe meets just happens to be the daughter of the tribal leader, and she also saves Joe’s life due to some spiritual sign, we will call her Pocahontas. No, that’s too long; we’ll call her P for short. P gets the indigenous people to accept Joe’s stolen alien body into the tribe and she teaches him about her people. They just happen to be naturalists, believing all life is connected and relying upon a great Mother. Well, they believe all life is connected because that happens to be physically true in this world.

By some fluke of evolution or bad design of the great mother, the living creatures of this planet happen to have their brainstems dangling from the outside of their bodies. By wrestling an animal down and forcing a brainstem mind-meld on them a native can make a connection with the animal which makes the animal theirs for life. When we heard this brainstem connection explanation a friend leaned over and asked, “What’s with the bestiality?” I thought it was a valid question.

Back to the clichés, the military types are getting impatient, and so is the corporation head. They gave Joe three months to convince the natives to get out of their big tree and mosey on, and Joe was too busy jumping animals, and P, to even casually mention the potential invasion should the natives not leave. The portrayal of the military in this movie is not a cuddly one, so naturally Joe gets himself accepted by the tribe just in time for the big bad general to decide that he has waited enough. He is going to blow up the big tree.

So where does this leave us? Oh, yeah, when the natives see the humans blowing things up they feel a little betrayed and when P’s father is caught up in the explosion and has just enough dying breath to pass the care of the tribe on to P, she tells Joe that she never wants to see him again. (Or something equivalent to that.) But it’s okay because it was already foreshadowed that Joe has to tame this flying dino-bird that is basically akin to the great white of the skies. P’s great-grandfather was the only alien to ever force his brainstem on this creature, and because his bird was the biggest he was able to unite all of the tribes and was considered a great spiritual leader, so naturally some white guy from Earth will be able to pass as the alien messiah, right?

Do I hear some bubbles bursting? Yes, that’s right my friends and neighbors, Avatar teaches us that the indigenous people have to humble themselves and accept help from the Man so they can fight off, well, more of the Man in order to save their natural habitat. Should I even keep going with this? Cameron tries to take on every possible issue in this movie. Let’s see, first there is the whole “corporations are evil” business, with a nice big helping of imperialist critique layered on, but there is also a lot of environmental talk, especially when Joe tells the great mother how there is no green left and how, “We [being humans] killed our mother.” Oh, I also loved the scene where the mean general is pumping up his troops for war and says, “We will fight terror with terror.” I wonder what James Cameron is trying to say there? Then again, it’s Joe’s prayer to the great mother that gets answered. Why his and not one of the natives’? Why can’t the natives save themselves?

And that is the major problem that I have with this movie. I understand the need to have an outsider as the guide for the plot — the audience needs someone who needs the explanations — but the movie usually isn’t just about that outsider but about the community he enters, and typically the grand events surrounding that community shouldn’t change just because they have a new teammate. This is going to sound horrible, but this is where The Last Samurai got it right. Yeah, it’s a long shot to believe that Tom Cruise would be accepted into the samurai’s culture, but his acceptance didn’t change their fate. Cruise’s character was simply there as our eyes, but the events surrounding everything were bigger than him, as most events are typically bigger than just one man.

So in Avatar this one guy was the difference in this whole war? This one white guy gets on the scene and then suddenly the native race with just sticks and stones is able to overcome the whole supercharged human army? Really? If they could do that couldn’t they have done it without Joe Snuffy leading the charge? It was insulting. Even the ending was so incredibly predictable. (This too seemed like another back-handed insult. So the crippled guy can’t stay crippled, huh? Just had to get him legs.) If all you want to see is the shiny new technology then, yeah, go see Avatar. However, if you are interested in plot and want to see a similar movie, but better, go rent The Last of the Mohicans.

The Titans on Broadway!

from Cinematic Titanic:

Hi All,

Just wanted to let you know that tickets for our show at the Nokia Theatre Times Square April 17th go on PRE-SALE tomorrow (Thursday) at noon EST — HERE. The pre-sale code is MST3K. We’ll be riffing Danger on Tiki Island.

OTHER UPCOMING DATES:

2/2 — SAN FRANCISCO — SF Sketchfest — The Castro Theatre — 7pm — Tix: HERE (Danger on Tiki Island)

2/19 — ROYAL OAK, MI — Royal Oak Music Theatre — 7pm/11pm — Tix: HERE (7pm: War of the Insects, 11pm: Samson and the 7 Miracles)

2/20 — MILWAUKEE, WI — Turner Hall — 7pm (SOLD OUT)/10:30 pm — Tix: HERE (7pm: War of the Insects, 10:30pm: Samson and the 7 Miracles)

4/16 — PRINCETON, NJ — McCarter Center — 8pm — Tix: HERE (War of the Insects)

More dates are in the works, we’ll keep you posted.

If you can’t make any of our live shows, but still want to know what it’s like, check out our latest DVD — Cinematic Titanic LIVE: “East Meets Watts” available at our store, HERE, or for Download, HERE. Quickly becoming the runaway favorite CT ep!

Hope to see you soon!
Best,
Cinematic Titanic

George Lucas’s “Blockbusting” Out Now

from StarWars.com:

When people talk about blockbuster movies, inevitably Star Wars comes up as one of the most memorable cinematic slam dunks. Now, thanks to filmmaker George Lucas’s interests, fans can see the history of blockbusters (dating back to silent films) and what made circumstances perfect for a cinematic hit to happen in the first place in one impressive film history book.

George Lucas’s Blockbusting, edited by Lucy Autrey Wilson and Alex Ben Block, is a comprehensive look at 300 of the most financially and/or critically successful motion pictures of all time — many made despite seemingly insurmountable economic, cultural, and political challenges — set against the prevailing production, distribution, exhibition, marketing, and technology trends of each decade in movie business history.

StarWars.com talked with Blockbusting editor Lucy Autrey Wilson about the new book and why it’s crucial to look at the influences inside and out that turned films into blockbusters.

Why did George Lucas ask for this book to be written?

There is a misperception that movies like Steven Spielberg’s Jaws (1975) and George Lucas’s Star Wars (1977) changed the movie business. Looking back over 100 years of movie history, it is clear there have always been big blockbuster films. By setting successful films against each decade’s major motion picture industry developments, George Lucas wanted to show that what has transformed the movie business is not the result of any individual film, but rather the result of technological advances and changes in production, distribution, marketing, and exhibition as well as changes in the social, political, and economic climate.

For example, breakthroughs such as sound, color and now digital; changes in studio ownership, resulting in non-filmmakers running movie companies; the emergence of multiplexes with stadium seating; and war, economic depression and more have all had an enormous impact on what kind of movies get made, what they cost, how they are distributed, viewed and even remembered.

How did you go about researching information for the book?

As a result of my experience doing motion picture accounting (in a past life at Lucasfilm) and contacts made during the editing of the first George Lucas Books title, Cinema by the Bay, I had developed a pool of knowledgeable film buffs, both within and without Lucasfilm, who provided data and helped fact-check. This talent pool grew as research for Blockbusting expanded.

Lucasfilm also has one of the best film libraries in the business and I spent a lot of time at Skywalker Ranch going through our in-house film book and periodical archives. This included the Film Daily annuals, old issues of The Hollywood Reporter and Variety, other industry publications and hundreds of books.

Alex Ben Block contributed a lot of motion picture history writing the bulk of the decade text. As Alex’s text unfolded and more statistics on the individual films became available from all contributing writers, the information was compiled in the database and compared with other top grossing and top critically successful films of the same year and decade. More information was cross-checked against such on-line websites as IMDB, Wikipedia and Boxofficemojo.com. Once the internal database started to build to a critical mass (it now includes over 2,100 films), it became more and more useful as a tool with which to check facts and augment data.

For more of this interview, read the rest of the feature here.

Prepare for Kingdom of the Spiders

from Shout! Factory:

Kingdom of the Spiders, the 1977 b-horror classic starring William Shatner as veterinarian Rack Hanson, gets Special Edition DVD treatment on January 19th. To help you prepare for the release, we’ve put together a compilation of Shatner’s greatest (read as: absurd) moments in this truly amazing film.

Enjoy.

Star Wars MIMOBOT Series 5 Audience Choice Winner Announced!

from Mimoco:

Star Wars MIMOBOT Series 5… coming March 2010 to a USB port near you!

We’re proud to announce Obi-Wan Kenobi has won the first Star Wars MIMOBOT Audience Choice vote and will be included as part of Series 5 releasing in March!

Thanks to everyone who voted*, and be on the lookout for more news about the Series 5 release in the coming months.

Until then, check out the current Star Wars MIMOBOT line up!

*As our thanks for your participation, everyone who voted will receive a 20% off coupon for Obi-Wan MIMOBOT when the series releases in March. Thanks again!

The Word on Cinematic Titanic’s “East Meets Watts”

from Cinematic Titanic:

Happy 2010 Everyone!

We had a great time spending our New Year’s Eve with the 1200 folks at the Keswick Theatre in Philadelphia. The folks in Philly can take pride in their attention spans and butt endurance, what a great crowd for our full 3 movie marathon.

We’re also really excited about the response to our latest DVD — Cinematic Titanic LIVE: “East Meets Watts”. The feedback to our first live release has been overwhelmingly positive from fans and critics alike:

John Scott Lewinski at AOL’s TV Squad:

“While Cinematic Titanic‘s earlier DVD releases all pack more than the U.N.-mandated share of laughs, the energy provided by the comics’ interactions with the crowd make this the comic troupe’s most successful DVD release so far.”

Brian Orndorf at DVD Talk:

“The live act amplifies the Cinematic Titanic energy to new heights of bellylaughs, helping to tackle and throttle a bell-bottomed, fist-clenched cinema stinker in the most three-dimensional manner allowed.”

Bryan White at Cinema Suicide:

“What we have here is something akin to MSTie classics like The Amazing Colossal Man and Manos: The Hands of Fate. Previous CT releases have warranted laughs but not one of them has had me wiping tears from my eyes as East Meets Watts did.”

Nick Lyons at DVD Corner:

“Summary: If you have some money leftover from holiday gift buying, I can’t think of a better thing to buy than Cinematic Titanic LIVE: East Meets Watts.”

If you haven’t gotten your copy yet, you can buy the DVD HERE, at our STORE for $14.99 or download it for $9.99 at EZTakes.com and easily burn your own DVD.

Hope 2010 is a banner year for all of you.
Thanks for your support!

Cinematic Titanic

Merry Riffmas! The Night Before Christmas now available!

from RiffTrax:

It’s the sunniest Night Before Christmas yet. Not a creature is stirring, not even the stuffed, mummified mouse that’s lovingly stapled to the floor. Sugarplums dance in the heads of children, causing the children to wonder, what’s a sugarplum, and why would it dance so suggestively? At the heart of it all is a man with one simple goal — a long winter’s nap, uninterrupted by any sort of clatter. Boy is he in for a surprise!

Futurama: The Complete Collection 1999-2009

Futurama: The Complete Collection 1999-2009

Good news, everyone! In honour of Futurama‘s 10th anniversary, an ultimate box set of the series, Futurama: The Complete Collection 1999-2009, has been released into the cosmos.

Once there was only the cold void of space. Then: Ka-Pow! The Big Bang exploded with the force of over two dozen firecrackers, and The Complete Futurama Collection sprang into being! It’s the entire classic series from The Simpsons creator Matt Groening, featuring 72 uncut episodes and 4 epic, feature-length adventures, all on 19 glorious discs. Plus: A massive assortment of extras so vast, it creates its own gravitational field from which no viewer can escape. So grab a can of Slurm, settle into your command centre, and experience the future… in its entirety!

This set gathers together the previously released Volumes 1-4 box sets, and the four films — Bender’s Big Score, The Beast with a Billion Backs, Bender’s Game, Into the Wild Green Yonder — that make up Season 5 of Futurama in TV syndication. The special features are recycled, too, but they’re all worth another look and there are a lot of them to enjoy, including a full-length audio commentary for each episode and movie (accessed under Language Selection in the menus); deleted scenes; storyboard, character art and “How to Draw” galleries; animatics, 3-D models, pencil tests, featurettes, and infinitely* more. (Small print on the box: *Quantity Not Actually Infinite.) The “more” consists of an annotated script, the Futurama video game trailer, a screen that deciphers the Alien Alphabet, alternate material, table reads, international language clips, interviews, a Futurama-based math lecture, an animated promo for An Inconvenient Truth starring Bender and Al Gore, Futurama: The Lost Adventure, blooper reels from recording sessions, the Futurama Genetics Lab game, the parodic shorts Bender’s Anti-Piracy Warning and Bender’s Movie Theater Etiquette, and sneak peeks. A full-length episode of Everybody Loves Hypnotoad is definitely the most creative and unusual of the bonus goodies, expanding upon one of Matt Groening’s favorite characters. In addition to all these special features, many of the fully animated menus contain Easter Eggs or feature in-jokes and other info in the backgrounds.

The new part of this set is its limited edition packaging, a giant plastic replica of Bender’s head (with detachable rubber antenna) that opens in the back to reveal a vertical DVD rack. The case’s slots are a bit of a tight squeeze, making the top and bottom discs slightly tricky to slide out, but the futuristic design looks great and the hatch door is padded on the inside to keep the discs snug and secure. It’s somewhat surprising that a sound chip wasn’t installed so Bender could spout his famous “bite my shiny metal ass” phrase, but the head is such an impressive display piece that this small oversight can be forgiven. For collectors who like to leave their collectables in the box, the cube that Bender’s head comes in adds another layer of Futurama reference, its clear windows and bubble-filled side panel images creating the illusion that Bender has joined the ranks of the show’s head-in-a-jar characters.

Also contained in this package are an episode guide booklet, and a numbered letter (which reveals that the set’s edition size is 25,500 units) from series co-developers Matt Groening and David X. Cohen:

March 28, 2009

Gracious Viewer,

Grab a can of Olde Fortran and jump aboard the party blimp, for today marks exactly ten years since Futurama was first broadcast!

A lot has changed over the past decade. Back in 1999, some of our younger viewers hadn’t even started graduate school yet. Videotape had not yet given way to the superior technology of DVD, which had not yet given way to the superior technology of stealin’ stuff off the Internet. And a little-known Vice President by the name of Al Gore was about to burst onto the scene as a cartoon voice-over star.

Yet, during this tumultuous ride into the future, some things have remained constant — namely, the unwavering support, steady encouragement, and incessant nitpicking of you, our loyal viewers. And thus, in a very real, very contrived sense, you are the rocket fuel that has launched Fry, Leela, and Bender on the many adventures within this collection. So please, sit back, shut up, enjoy the show, and accept a double-helping of our most sincere gratitude.

Your Humble Overlords,

Matt Groening & David X. Cohen

If you’ve already bought the individual seasons and movies, you’re not completely boned, either. Fox is reportedly selling a few empty heads to transfer your existing collection into.

Futurama: The Complete Collection 1999-2009 comes out just in time to re-watch or catch up on the series before Season 6 begins on June 10, 2010. Yes, Futurama is returning for a second run, thanks to a Season 6 & 7 pick-up by Comedy Central! Hopefully Fox will, in due time, make a torso to attach to Bender’s head so that his chest compartment can be stacked with future seasons’ discs.

Order now at Amazon.com:
Futurama: The Complete Collection 1999-2009

Or order directly through the 20th Century Fox Home Entertainment website.

Futurama: The Complete Collection 1999-2009 is distributed by Twentieth Century Fox Home Entertainment, a division of Twentieth Century Fox Film Corporation. For more information, please visit the official Futurama website.

Two more holiday shorts: Christmas Dream and Rudolph the Red Nosed Reindeer!

from RiffTrax:

Christmas Dream

One Christmas Eve, a foolhardy young girl discards a toy she is no longer interested in upon seeing her new, less-horrible toys. Never mind that the forgotten toy was little more than a hot dog with hair, this is a transgression that the patron saint of creepiness cannot forgive! While the girl slumbers peacefully, like the total selfish jerk that she is, St. Nick enters her dreams to give the monstrous doll life. It proceeds to torment her with its special brand of high-pitched Christmas horror. Will she learn her lesson and accept that change is always bad, or crack under the pressure and find herself in an asylum for children, gnawing on her own hair? Either way, this doll is gonna break a lot of her stuff!

Rudolph the Red Nosed Reindeer

The story of Rudolph the Red Nosed Reindeer has been told and retold countless times, in film, TV and song. All of those other versions are better than this one. Even the cold war-era East German version “Rudolf van der Schlittenfahrt”, which features far more marching and distant machine gun fire than a Christmas special ever should.