I Can Has Cheezburger?: A LOLcat Colleckshun

A search at Amazon.com a few months ago for a LOLcat book led to the amazing discovery that one didn’t exist. That oversight has now been corrected: I Can Has Cheezburger?: A LOLcat Colleckshun is a hilarious guide to LOLcats by Eric Nakagawa and Kari Unebasami — the duo who started the Internet meme and launched the hugely popular icanhascheezburger.com in January 2007 — and co-author “Professor Happycat”.

Professor Happycat pops up throughout the book in cartoon form to explain things to the reader, such as how to mangle spelling and grammar in proper LOLspeak fashion (LOL Speak Poetry Magnets are available for practice), and who Ceiling Cat and other prominent LOLcats are. The book collects over 200 full-colour LOLcat pictures from the website, some classic and some new, and all extremely LOL-worthy. Professor Happycat says, “Mah new book iz teh best book evr”, and it’s hard to argue with that statement if you’re a LOLcat fan.

A note from the publisher states: “In case you’ve somehow missed the LOLcat sensation, here’s the lowdown. It all began in early 2007, when, after a bad day at work,” Eric Nakagawa asked his friend Kari Unebasami via chat to send something to cheer him up. Kari sent him a photo of a smiling fat cat with the caption “I CAN HAS CHEEZBURGER?” superimposed onto the picture. Soon, Nakagawa and Unebasami created a blog at icanhascheezburger.com (named after the most popular LOLcat of all) and the phenomenon known as the LOLcat was born.”

The book is small and square, the perfect size to tuck into a bag and carry everywhere, or to stuff into a holiday stocking. It’s a great conversation piece and the perfect gift for geeks and cat-lovers of all ages.

Teh cute kittehs, they needs sequel now. Srsly.

Pre-order at Amazon.com:
I Can Has Cheezburger?: A LOLcat Colleckshun

I Can Has Cheezburger?: A LOLcat Colleckshun is distributed by Gotham Books, an imprint of Penguin Group (USA), and its international affiliates. For more information, visit the official book website at lulzftw.com.

The Twinkies Cookbook

Twinkies, long a staple in the geek food pyramid, have remained essentially unchanged by their makers since their creation, so Hostess thought it would be fun to officially showcase the people who have been getting creative and playing with their food, in The Twinkies Cookbook: An Inventive and Unexpected Recipe Collection:

“As part of Twinkies’ seventy-fifth anniversary celebration [in 2005], Hostess put out a call for recipes, asking people to share their ideas for cooking — yes, cooking — with Twinkies. Hundreds of people from across the country responded with an amazing bunch of inventive, homegrown, and sometimes wacky recipes. Nearly fifty of these unexpected creations — both sweet and savory! — are presented in this nostalgic and colorful collection. A delight for the whole family, The Twinkies Cookbook is the perfect snack for the Twinkie lover in all of us.”

The cookbook’s introduction, Twinkies: History of a Sweet Sensation, tells the story of the Twinkie’s origins, and includes interesting quotes, trivia, and archival pictures. There are nine chapters of recipes and full-color pictures that follow: Novelty Twinkies, Twinkies for Chocolate Lovers, Fruity Twinkies, Twinkies Take the Cake, Twinkies à la Mode, Twinkie Drinks, Twinkie Stack-Ups, Gourmet Twinkies, and Twinkies and Meat. The recipes range from those simple enough for children to make, to a few time-consuming productions requiring special equipment and considerable experience in the kitchen.

As a bonus for pop culture fans, this book also clears up the much-debated urban legend that Twinkies have an indefinite shelf life. (Spoiler: The golden snack cake’s real lifespan is 25 days.)

Order now at Amazon.com:
The Twinkies Cookbook: An Inventive and Unexpected Recipe Collection

The Twinkies Cookbook: An Inventive and Unexpected Recipe Collection is distributed by Ten Speed Press (US and Canada). For more recipes and information, visit twinkies.com.

J.J. Abrams’ Fringe is No X-Files (But in a Good Way)

Every time a new show launches, we try to find ways to describe it within the framework of shows we already know. With Fringe there were lots of reviews comparing it to The X-Files because of the unexplained cases and underlying conspiracy theory (referred to as “The Pattern”). Hopefully X-Philes (X-Files devotees) who tune in for Fringe won’t be too disappointed that the similarities end there… at least for now. It’s more of a character-driven crime drama along the lines of Crossing Jordan than a paranormal thriller. As far as conspiracies go, they are keeping us guessing. Who should she trust? Who’s good, who’s evil? Who’s involved? Under these circumstances, who is “truthful” would be a very wrong question to ask. The very nature of their work requires deception.

While it’s hard to define Agent Olivia Dunham (played by Australian actress Anna Torv), I can very clearly say she is no Agent Scully. We see a lack of Scully-ish skepticism in the first episode when longtime mad scientist and mental hospital patient Dr. Walter Bishop (John Noble) suggests some drug-induced experimental procedure and she dives at the chance to take it (no pun intended; okay, well, maybe a little). Olivia is likeable, competent, smart, quick, and lacking the dark past normally built into a lead — at least, it appears that way. Her demons are introduced to us after we meet her, thus getting us, as viewers, invested in her finding resolutions.

The “Mad Scientist” Walter is immensely entertaining. Every time he speaks I see Vincent Price cast as H. G. Well’s Dr. Moreau, cutting and splicing together flesh to create his visions of a new world, operating with a different moral compass than the rest of us. He’s horrifying and fascinating in a Hannibal Lecter kind of way, and the moment you laugh at something he says, you catch yourself, conflicted over whether or not you should allow yourself to like him. He’s a bad man, right?

As he unwillingly babysits his father, Peter Bishop (Joshua Jackson) reminds me of Charlie Babbit from Rain Man with a dash of Will Zimmerman from the Web series Sanctuary. Mystery surrounds him just as surely as trouble does. This genius is seething with angst, sarcasm, and cynicism, all perhaps formed by the knowledge from childhood that his father was a monster. Now he’s learning just what kind of a monster his father truly is. Is it better or worse than he dreamed?

There is a great supporting cast of characters (Agents Astrid Farnsworth and Phillip Broyles, Nina Sharp, and John Scott) but above all, I must confess that I love Agent Charlie Francis (Kirk Acevedo)! I have always enjoyed deadpan humor and he delivers such an understated performance that every time he speaks, I like him even more. He’s a gem and I hope we see more of him. He seems to be the only person in Olivia’s life who is who he is with no illusions or deceptions.

Fringe is better then I expected. I usually only give a new show two episodes to win me over, but I made up my mind by the end of the first episode that this is going to stay on my short list of new shows to watch. J.J. Abrams has delivered a layered and intriguing world to us (giving me hope that the new Star Trek movie will be one of the best). It is very well done and has tried to establish a unique visual appearance, which I believe it succeeds in. It’s definitely a visual feast, from the sets and backgrounds to visual emotional responses on the characters’ faces. The story is well-written with a nice balance of suspense and humor, without going overboard. They have laid the foundation for what could be a successful long-running show. The performances are even keel, and tuning in for the first episode felt more like tuning in later in the season. With many shows, the actors are still feeling out who their characters are for much of the first season, but this cast seemed to wear their characters like a favorite old shirt.

On a personal note, it was nice to finally understand why, at San Diego Comic-Con, on our way to see the X-Files movie downtown, we were handed sneak peak tickets by a group of people minding a herd of cattle in a parking lot. If we hadn’t already bought tickets online, we would have been whisked off to a secret location to see the sneak peek premiere of Fringe. Honestly, I think we all would have enjoyed it more.

ghostgirl

Charlotte Usher, the titular “ghostgirl” in the book ghostgirl, walks through life feeling like she’s invisible. She yearns to be one of the popular girls in high school and win the heart of the boy of her dreams, but she can’t even manage to get noticed.

Sound familiar? If you grew up a geek, it does. Being a ghost is the perfect metaphor for the status of those who cling to the fringe of society, looking in but not fitting in.

Charlotte, the poster girl for not fitting in, seems on the verge of finally attaining the popularity she obsesses over when she’s assigned to be the Physics tutor for the school’s star athlete, and her crush, Damen Dylan…  but promptly chokes on a gummy bear and dies. Death doesn’t deter Charlotte from her quest, though, so with the help of Goth girl Scarlet, a fellow outcast and the only live person who can see Charlotte, she sets out to achieve in the afterlife what she couldn’t while still alive. Along the way, both girls learn to accept, and find acceptance for, who they really are and where they belong, popular or not.

The book itself is a work of art, its tall and narrow trim size reflecting the shape of a coffin and featuring a coffin die-cut with stamped acetate inlay on the black, silver, and pink hardcover. The cover’s colour scheme is continued throughout the book in the silhouette illustrations at the beginning of each chapter, the flowery designs in the margins, and the silver gilt applied to the page edges. Beneath each chapter illustration is a plot-relevant quote, usually in the form of song lyrics, that emphasizes the novel’s frequent use of music and pop culture references.

ghostgirl originated as a Web project in 2002, so fans can extend the book’s experience by visiting the beautifully designed ghostgirl.com. There’s lots to explore while waiting for the next book in the series, ghostgirl: Homecoming (July 2009), including a MySpace page for main character Charlotte Usher.

Recommended Reading Level: Young Adult (12+) for mild sexual content, Goth Chic-style violence, and occasional adult language.

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ghostgirl

ghostgirl is distributed by Little, Brown and Company, an imprint of Hachette Book Group USA, and Headline Publishing (UK). For more information on the book and its author, visit ghostgirl.com and the website of Tonya Hurley.

The Legend of Zelda: Ocarina of Time

Are you such a devoted fan of The Legend of Zelda that you’ve played every game to completion (perhaps more than once), and read every related book in print? This October, VIZ Media comes to your rescue with an English adaptation of the Zelda manga to keep you immersed in the world of Hyrule.

The Legend of Zelda manga series, officially approved by Nintendo, began publication in Japan in February 2000 and covers nine of the most popular Zelda games. VIZ Media’s adaptation will mark the first time the fan-praised series has been officially released in English.

The first title set to be published in North America is Ocarina of Time, the dustjacket description of which reads, “In the mystical land of Hyrule, three spiritual stones hold the key to the Triforce, and whoever holds them will control the world. A boy named Link sets out on a quest to deliver the Emerald, the spiritual stone of the forest, to Zelda, Princess of the land of Hyrule. The journey will be long and perilous, and Link will need all his skill and courage to defeat evil. The battle for Hyrule and the Sacred Realm has begun!”

In Ocarina of Time , the adventures of the game’s hero, Link, are divided into two volumes — known as the “Child Saga” and the “Adult Saga” — that relate the story of how the young Link left his forest home and grew up in the process to become the destined Hero of Time. The story and art by Akira Himekawa, including the bonus preliminary sketches he did in preparation for the project, are consistently top-notch, and the books remain mostly true to the video game plot, occasionally adding extra material to expand upon or explain things from the game series. Ocarina of Time reads from right to left, as in the original Japanese book format, and is rated “A” for All Ages.

Now VIZ Media just needs to produce plush toys to accompany the Zelda manga. Cuddling an adorable little Link or Zelda doll while following their stories on the page would add a whole extra layer to the reading experience, and allow the reader to act out the cute crush between the two characters as portrayed in Ocarina of Time.

Pre-order at Amazon.com:
The Legend of Zelda , Vol. 1: Ocarina of Time, Part 1
The Legend of Zelda , Vol. 2: Ocarina of Time, Part 2

The Legend of Zelda: Ocarina of Time‘s English translation is distributed by VIZ Media. For more information on the full range of The Legend of Zelda titles, see Manga from The Legend of Zelda Series.

The Legend of Neil, a NSFW-rated Web series that spoofs The Legend of Zelda, is also recommended for adult Zelda fans. Its creator is Sandeep Parikh, who plays Zaboo in the award-winning Web series The Guild.

The Guild: Season 1

The Guild: Season 1 proves that you don’t have to be a big studio to put out a polished DVD. The production values on this small press title ensure that it wouldn’t look out of place on a DVD shelf at any retail store; the cover art and design is professional-level, the disc is printed with a full-colour image, and there’s even a glossy insert included which provides a glossary of gaming terms for the non-gaming viewer. The DVD’s menu is quite basic, which makes it very easy to navigate through the menu choices. The ten episodes of the web series are available in both “play all” and chapter form, with optional English subtitling, and there are two commentary tracks — cast, or director and producer — for each episode. The bonus materials consist of cast interviews, audition footage, three gag reels (two of them exclusive), the popular Christmas Carol Video, and the Season 1 Script (PDF format). There’s also an Easter Egg hidden in the Bonus Materials menu, so be sure to look for it. The DVD is NTSC Format, but should be playable on any computer or newer, region-free DVD player.

It’s quite a different experience viewing The Guild on DVD, compared to its original YouTube presentation; details that weren’t noticeable in the tiny YouTube frame are now visible, and in place of watching short intallments of the series every few weeks, as was the case in the original online run, the story now unfolds in one continous, movie-like block.

The Guild: Season 1 is available through the store at watchtheguild.com for $20.00 plus $5.00 shipping and, according to Felicia Day’s blog, Season 2 is set to start shooting in September. In another blog post Felicia Day says, “with the DVD sales we will be back paying [the cast of The Guild] for the first season, so thank you if you bought a DVD!”

The Art of WALL-E

The Three Laws of Robotics, made famous by Isaac Asimov’s I, Robot, are:

  1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
  2. A robot must obey orders given to it by human beings, except where such orders would conflict with the First Law.
  3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

The mechanical creatures that populate the world of WALL-E suggest a fourth law: “A robot must be so cute as to merit its own deluxe art book.”

The Art of WALL-E by Tim Hauser is that book. The latest offering in the Pixar “The Art of…” series — which includes The Art of Monsters, Inc., The Art of Finding Nemo, The Art of The Incredibles, The Art of Cars, and The Art of Ratatouille — this volume is a definite must-have for art enthusiasts of all ages, whether you’re a fan of Pixar and WALL-E or just animation art and robots in general.

Designed as a companion piece to the film, and featuring a wide variety of media — pencil, markers, pastels, charcoal, and more — rendered by the talented team of Pixar artists, The Art of WALL-E showcases the highlights of the conceptual art created during production of WALL-E. The beautifully reproduced images, including preliminary sketches, character studies, storyboards, and colorscripts, are interspersed with anecdotes and behind-the-scenes stories from a variety of people who worked on the film, providing revealing insights into the incredible work necessary to bring the completely imagined, futuristic world of WALL-E to life. The nostalgically retro feel of the art is reminiscent of the 1960s style of The Jetsons, whose lovable robotic housekeeper, Rosie the Robot Maid, appears to be an inspiration for the design of WALL-E and his friends.

Order now at Amazon.com:
The Art of WALL-E

The Art of WALL-E is distributed by Chronicle Books (International/US) and Raincoast Books (Canada).