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The hours are crawling by as we wait for the premiere of the new Steampunk and Mythology inspired Riese the Series. Being three hours ahead of the folks out in Vancouver, BC (where series creator Ryan Copple and team are located), I can’t help but wonder what time of day they plan on launching. Is Episode 1 of Chapter 1 already uploaded and just waiting for the clock to roll past midnight and officially be November 2nd so they can post the episode? Or will they wait until later in the day, when most people are awake and in the grip of their daily routines? Regardless of when it actually launches, the day has arrived, or as the tagline goes: THE HUNT IS ON! I’ve made it through months of waiting, I think I might servive a few more hours if I absolutely have to.

If you haven’t already checked out the Riese the Series website, they’ve just re-launched with an awesome new look. According to the Episodes link, the Chapter 1 episode list is as follows:

Episode 1: HUNT (November 2, 2009)
Episode 2: FRAGMENTS (November 16, 2009)
Episode 3: BIND (November 30, 2009)
Episode 4: SPARES (December 14, 2009)
Episode 5: DAWN (January, 4 2010)

I know Chapter 2 filming will be underway in a few weeks so hopefully there won’t be too much of a break between Chapter 1 ending and Chapter 2 premiering. While you wait for the first episode to premiere, re-watch the above trailer, join the forum and bookmark the Riese websites listed here:

Riese the Series Official Web Page
Riese the Series Channel on YouTube
Riese the Series on KoldCast.TV
Riese the Series Official Forum
Riese the Series on Facebook
Riese the Series on Twitter
Riese the Series Fansite

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Cupteavity's Loose Leaf Earl Grey Tea

In my quest to increase my knowledge and fuel my passion, I’m always on the lookout to experience new coffees and teas. Recently, while surfing Facebook for coffee and tea groups, I discovered the Cupteavity fan page. Cupteavity hails from New Hope, Pennsylvania, and offers a wide variety of loose leaf teas ranging from traditional black and green teas to more exotic herbal tisanes and natural remedies. They were offering to send out free samples so I quickly accepted. A few days later, a package of loose leaf Earl Grey tea arrived.

Earl Grey is one of my all-time favorite teas. I frequently have it strong and sweet as a refreshing iced tea on a hot summer day, or hot and black with oatmeal and toast to start my morning just right. I’ve been disappointed with many of the brands of Earl Grey I’ve picked up, especially recently. True Earl Grey is more of a scented than flavored black tea. Its very strong aroma is the result of it being blended with or exposed to the essence of bergamot, oil from a citrus fruit. Some variations will include more orange or lemony notes, while others blend blossoms such as rose hips with them. While the aroma is potent, the fruit flavor produced by the bergamot tends to be light, and its sweet finish always reminds me of drinking the milk from a bowl of Fruit Loops. Some of the Earl Greys I’ve sampled over the years have ranged in flavor from minty to bland and grassy. While it’s one of the most popular and common traditional black teas, it seems to also be the one that’s hardest to find when it comes to high-quality, fresh teas.

Cupteavity’s Earl Grey has a heady aroma, both potent and cleansing. The strong citrus zest is set off by a hint of floral undertones. I was surprised to see the long dark leaves dotted with a small portion of lavender-colored blossoms that I believe are rose hips. I’ve never had Earl Grey blended with rose before so this was to be a true first for me. With London Fog being all the rage in cafes right now, I decided to experiment with vanilla and milk. While I steeped my tea, I also measured out some real Mexican vanilla extract (the kind you brew and age in barrels like a fine liquor), sugar and milk. I invited my teenage son to try it with me and talked him through the tasting process.

When I first poured the cups, I noted the russet color with a hint of oil swirling on the surface. When cupping my hand over the steam to inhale the aroma I noted that it was pleasant and cleansing with strong citrus, almost lemony notes, a hint of floral and an edge that reminds me slightly of mint. By cleansing I mean that after breathing in the aroma, my sinuses seemed to open up and I breathed deeper, the air seemed fresher and cooler and the aromas stronger and purer.

My first taste is always unsweetened. I slurped the tea and thought about the mouth feel of it. It came away clean with just a hint of tangy left on the back sides of my tongue. The taste was mildly malty with a slight fruit flavor and there was a mild aftertaste of floral that hinted at rose. Overall, it had a very balanced flavor, the bergamot and rose remaining tantalizing but neither dominating the flavor of the tea. Rose hips are not among my favorite flavors but their presence here was not unpleasant, just unexpected. It’s almost a tease of flavor because any time you think you’ve got the taste figured out, it eludes you again.

After trying it black, I experimented with light amounts of milk, sugar and vanilla. The resulting flavor reminded me of fresh-baked, home-made sugar cookies. While it was a bit sweet for my tastes, my son fell in love. We ended up splitting the rest of the pot, with me drinking mine black and he having me doctor up each refill with just the right amount of sugar and vanilla. While I can’t imagine myself drinking this Earl Grey on a daily basis (I tend to use Twinings most frequently), I can see myself getting this tea for special occasions or company since it is a pleasant experience that I hope to repeat. Cupteavity’s Loose Leaf Earl Grey tea is definitely one of the better Earl Greys I have had. I’m looking forward to trying other Cupteavity offerings as they have several teas I’ve not yet had the privilege of trying.

You can learn more about Cupteavity at their website, cupteavity.com, or, if you live in the New Hope area of Pennsylvania, you can look them up at 88 South Main Street.

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I am a huge jPod fan and, as such, I have made an effort to stay on top of the careers of the brilliant actors who starred in the short-lived, sorely missed television series. Whenever possible, I do what I can to help spread the good word for these talented young folks. Through their exploits, I’ve stumbled upon many wonderful shows that I may not have otherwise had a chance to see. Recently, I discovered that Torrance Coombs (John Doe on jPod) was starring in a new short film. The trailer (which isn’t available to embed yet so you’ll just have to follow the link to see it) tweaked my interest.

Sam has always been obsessed with vampires — from the time he was a child watching them on children’s programs, to when he was a college student reading horror novels on the side. On Sam’s 21st birthday, a mysterious gentleman offers him a peculiar career choice: become an assistant to a real-life Vampire. Intrigued and enthusiastic, Sam takes the job and meets Simon Bolivar, a 400-year old Vampire. Everything about the Vampire does hold some truth to it; a truth followed by a dose of hard-reality. Sam soon realizes that it is not so pleasant to serve his corrupt and neurotic behavior. Told from Sam’s point of view, the Familiar is for anyone who has ever pursued a dream only to watch it slowly twist into an unrecognizable nightmare. Be careful what you wish for… it may come back to bite you in the end!

I commented on the video and the Familiar creator Kody Zimmermann and I started chatting. After he shared some background info on the show, I was downright intrigued.

I’ve worked in Vancouver’s film industry for 13 years now with a long string of job titles, most containing the word “assistant” in them. Once, I was an assistant to a Hollywood actor. Someone whose work I admired, an artist who took his craft serious. But what unfolded was three months of sleepless nights, insane requests and an endless glimpse into the more shallow recesses of humanity. I started empathizing with the Renfield character in Bram Stoker’s Dracula; just another dutiful lunatic serving the will of a bigger evil.

Familiars — like Renfield — are spoken of in vampire myths. But like real-life assistants, not many people pay them any attention. But still, they compelled me. What kind of person would actually serve a life-sucking fiend? I guess anyone who complains about Mondays or is guilted into working the weekend kind of knows that answer already.

My story was found.

Aiding me on this journey was my good friend/collaborator Riley Walsh. Our mantra was to do it as cheap as possible while maintaining some form of professional integrity. We were both unemployed guys with mortgages hoping we could get a helping hand from friends and contacts. What we received was humbling; a true testament to how generous and gracious this industry can treat its own.

We conscripted Jennifer Nick as our co-producer; she got us audition space at the Men in Trees production office, spear-headed our festival circuit campaign and started researching funding grants. Riley approached Mark Freeborn (production designer of Final Destination III and X-Files II) to advise us on our design strategy. Mark and his team went beyond our expectations, introducing us to production designer Alistair Bell, giving us a literal ton of construction flats and then building our sets with them.

Riley procured a very generous Grip and Lighting package from William F Whites, a Sony F-900 camera package from Sim Video, a sound stage at North Shore Studios as well as enlisting the help of Sharpe Sound Studios for a professional sound mix pro bono. A crew of industry vets heeded our call for help: people who usually get paid $600-700 a day were coming out for us for free to do a five day gig.

What’s more, our cast was amazing. Torrance Coombs of The Tudors and jPod became our main character, Sam. The vampire was Paul Hubbard, more known as Ford’s “Random Celebrity Guy.” We had a great ensemble with Rachel Sehl, Luisa Jojic, Brock Shoveller and Art Kitching who did double-duty as our Nosferatu and a victimized Jogger.

We shot our first two days in Stage 8 at North Shore Studios, a place I went to for 4 years as an office assistant. It was exhilarating to go there in a director’s capacity. The Taylor Manor, a local film friendly and empty old hospital, acted as our vampire den for the next two days. Our last day was spent in a couple of shops in North Vancouver, ending along a picturesque boardwalk with the Vancouver cityscape as our backdrop. I was grinning ear-to-ear watching our vampire sucking blood and stealing some dead guy’s pants. It’s a rush to see something you wrote down on a computer happening right there in real life.

Riley and I set out to take this a step beyond the usual limitations we’re accustomed to. We wanted to make a feature film within the short format. I guess when no one is handing you that chance, you go out and make your own luck.

I think we got it.

With all the “romantic” rewriting of vampires in books, films and television these days, it’s nice to see someone showing the bloodsuckers as the bad guys they are supposed to be. Don’t get me wrong, I’m a fan of the sultry vampire (Frank Langella was smolderingly sexy even to my 8-year-old self when I watched him in Dracula for the first time) but today’s vampires are shallow and pose no true threat or danger. Getting bit by today’s vampires is like getting a hickey — it’s unsightly, but no real harm done, and there’s no stigma attached to it.

The modern creatures are empty and untormented the way the traditional vampire used to be. There were, after all, two kinds: the monster and the victim. When I think of vampires, I always remember the lines from Sting’s “Moon over Bourbon Street”: “It was many years ago that I became what I am. I was trapped in this life like an innocent lamb…” and “I have stood many times outside her window at night to struggle with my instinct in the pale moon light. How could I be this way and I pray to God above. I must love what I destroy and destroy the thing I love…”

So, here’s the Familiar, a regular guy who buys into the whole modern concept of how cool vampires are and learns his lesson the hard way that giving up being human could also mean giving up your humanity. I can’t wait to see this show, and you can be sure I’ll be posting the trailer as soon as it’s available.

the Familiar
theFAMILIARmovie.com
22 minutes / 2009
HD Video / 16:9 (1.78:1)
Ghostwood Films

CAST:
Torrance Coombs as Sam
Paul Hubbard as The Vampire
Rachel Sehl as Alice
Brock Shoveller as The Old Gentleman
Jason Harder as Holland
Luisa Jojic as Penny
Josh Blacker as Virgil
Art Kitching as The Jogger & The Nosferatu
Suzka Mares as Vampire’s Escort
Rosette Sharma as Call Girl

CREDITS:
Written, Directed & Edited by Kody Zimmermann
Produced by Riley Walsh
Producer — Kody Zimmermann
Co-Producer — Jennifer Nick
Director of Photography — George Campbell
Production Designer — Alistair Bell
Costume Designer — Ivan Lehner
First Assistant Director — Riley Walsh
Music by Richard L. King
Special Effects Make Up — John Healy/Healy FX
Audio Post Production by Sharpe Sound Studios Inc.
Visual Effects Supervisor — Chris Buffett

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On thing I set out to do at the beginning of ÜSFG was to encourage geeks like me to celebrate the things that make us unique, to celebrate our differences and celebrate our lives. Reading books, watching movies or TV shows and playing with games and gadgets is something we geeks obviously share and discuss at ÜSFG but one thing we haven’t touched much upon is food and beverages. I’d like to change that. I love to talk about my passions, share my ideas and knowledge with others and learn how others think and feel about things. That especially applies to me for coffee and tea.

You’re probably asking, “What does coffee and tea have to do with being a sci-fi geek?” Well, I have a few different responses that I could offer to that, the first of which is that coffee and tea are the lubricants that keep our geeky minds oiled and running smoothly. I could offer a dozen more equally compelling responses, but rather then preach my Doctrine of Coffee and Tea, I shall just say this: Captain Picard had his Tea, Earl Grey, Hot; Captain Janeway had her black coffee; Harry Potter had his Butterbeer; and Ford Prefect had his Pan Galactic Gargle Blaster. From Star Trek to ElfQuest and everything in between, food and beverages have played an important role in sci-fi and fantasy, so why not talk about it in the context of being part of geek culture?

My professional career has always been in the gourmet coffee and tea industry (I don’t refer to myself as ArtistCoffee Master, Geek for nothing). Over the years I’ve tried many brands and varieties of coffees and teas, and I’m always eager to learn about and experience more. My philosophy on food and beverages is that while some things are highly complimentary when paired to enhance natural flavors, most people just automatically cover things up with sauces and seasonings without giving thought to true flavor. They add sugar and cream to coffee and tea without sipping it first. They put catsup and mustard on their burgers and smother their salads with dressing. If you automatically have to cover up the flavor of something you are eating without thinking about it or even trying it first, you don’t really like the food you are eating — you’re just eating. Doing a coffee or tea tasting is an effort to consciously think about what you are consuming. It’s a meditation on food and the pleasure it can bring. The first sip is almost a Zen moment for me.

Drinking coffee and tea is a sensual experience. From the moment you hold the cup in your hands, you feel the warmth of it and begin to anticipate the sensation of it warming you from within. Then you drink it in with your eyes, the colors spanning the calming, earthy rainbow of yellow, ocher, and red, on through to deep dark brown and rich silky black. When you breathe in the aroma, you begin salivating and your other senses peak in anticipation of the first taste. When that first sip reaches your lips, the complex flavors dance across your taste buds, evoking thought and memory, completing the whole body sensory experience and often resulting in an involuntary vocal response such as an “ah” or “mm”. Your body responds this way whether you contemplate the physical reaction and appreciate it, or you just down your daily cup o’ joe.

When I do a coffee or tea tasting, my first drink is always black and unsweetened. Depending on how much time I have to enjoy it, I may prepare a food item or have other ingredients available in order to play with complementary and clashing flavors. I prefer to use a French Press with fresh ground coffee and a glass pot for loose leaf tea. I use water from a kettle heated just off boiling. When I pour the first cup, I look at the color of it. I examine the oils on the surface and then cover the cup with my hand and breathe in the aroma. This is a thought-provoking step. I like to savor it and think of the things it reminds me of. For example, the earthy aroma of fresh-brewed Sumatra coffees typically remind me of walking through a forest in the fall, the smell of wet earth and fallen leaves mingling in the air with the smoke from someone’s leaf burning.

After meditating on the aroma, I slurp the coffee or tea, drawing in lots of air with it to continue to involve my sense of smell with defining the flavor. As I swallow that first taste, I think not on the flavor but where I perceive it on my tongue and how it feels in my mouth. While teas tend to have minimal variations in mouth feel, coffees can vary wildly from thin to syrupy. Lastly, I sip the coffee and let it linger in my mouth a moment before swallowing. Only then do I let myself think about the flavor of it. What does it taste like? What does it remind me of? What would go well with it?

I can’t tell you how many times at this point I’ve watched someone make a face because they just aren’t used to sipping unsweetened or unflavored fresh-brewed coffee or tea. They automatically want to reach for the sugar because that is the dominant flavor they are expecting to taste. Taking the time to think about the flavor profile changes the entire experience. Your first sip of a pressed black coffee or steeped loose leaf tea is like a slap in the face for those who are used to drip coffee makers and boxed tea bags. At your second sip, everything changes. You begin to notice things you never noticed before. Revealed to you are subtle nuances of flavor that are masked by sugar and cream such as nutty, caramely, earthy, or tart. Once you recognize those flavors are there, you can truly begin to appreciate them and decide what will best complement those natural flavors. For example, sun-dried and naturally processed African coffees tend to have a sharp, exotic, wine flavor ranging from berry to citrus that dark chocolate and dried fruits go extremely well with. Something like Kenya AA is downright juicy when paired with a slice of iced lemon pound cake.

Just as some foods enhance the natural flavor of a coffee or tea, others completely ruin them. I’m not a huge fan of Latin American coffees in general (though there are a few exceptions I truly enjoy) but nothing tastes worse to me then pairing that same luscious iced lemon pound cake I mentioned before with Colombian coffee. The sharp chemical flavor that is produced is like licking lemon-scented furniture polish. Take that same cup of Colombian coffee and pair it with a fresh slice of banana nut bread, though, and it produces an incredibly sweet, almost cool sensation in the mouth.

I could go on and on like this, and I will, but not here and now. I just wanted to introduce the idea to you and set the expectation that some of the greatest adventures a geek can go on are culinary. I look forward to sharing a variety of food and beverage impressions with you in the future and hope you enjoy reading about it as much as I like talking about it. If not, however, I completely understand. After all, food and beverage reviews are not everyone’s cup of tea. ;)

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Requiem for Delinquency

I logged into MySpace today (something I avoid as much as possible) and had a friend request from Requiem for Delinquency. I followed the link for the obligatory “check it out before denying it” glance and was wowed by what I heard. What I had expected to be my usual 5-minute check of my messages before going on to other more important things that demanded my time and attention has now turned into over five hours of listening to streaming music on requiemfordelinquency.com while trying to find things to keep me busy at my computer so I can keep listening.

I’m the kind of person who listens to things on repeat for days, and sometimes weeks or months, on end. I get something under my skin and it just stays there. Unlike many people whose favorite things are constantly changing, once I become passionate about something, it becomes a permanent fixture in my life. My very first CDs were Enya‘s Watermark and Kitaro‘s Kojiki. Twenty years later, I’m still listening to those CDs on a weekly basis. I can see Requiem for Delinquency becoming another permanent fixture in my musical rotation.

Hobs End is the first album from composer Chance Morrison, who self-produced the project rather then trying to get the big labels to back him, and his grassroots approach seems to be working for him. It’s hard to put a genre label on the music as it is primarily electronica but is not as high octane as techno and trance or low octane as new age or chill. Each song has a unique hook to it (sound samples or effects), but the beat remains fairly consistent. While there are some faster tracks on the album it is balanced overall in mood (somewhat somber and sensual), making it the perfect dance selection for when the night is winding down but you aren’t ready to quit moving yet.

Some elements of Hobs End remind me of Bill Leeb projects such as Delerium and Fauxliage, but laced with Morrison’s own vocals rather than the sultry sirens who play guest vocalists in Leeb’s music. Requiem for Delinquency is the kind of electronica music you might find on a Six Degrees or Nettwerk label. (I’ll buy anything they release.) In other words, it may be self-produced but it sounds like a studio-backed production. Some tracks are similar to, but have more synth than, Robert Miles and Enigma compositions, but are not as heavily reliant on synth as Tangerine Dream or Vangelis tend to be.

I’m really searching for a way to describe Morrison’s voice but the only word I can think of is breathy. He almost whispers in a laid-back or mournful way that reminds me of Depeche Mode or Duran Duran. I say mournful because, listening to the lyrics, Morrison seems to be questioning the reality and depth of daily interactions, the life, love and experiences that we share with others. Sound bites from films and television shows call to mind images and ideas and then explore them. For example, in the track “The Work of Science” a sound bite from the classic science fiction film The Brain That Wouldn’t Die declares, “My eyes are deceiving me” and “What you see is real. What’s done is done and what I’ve done is right. It’s the work of science.” Then Morrison sings the refrain, ”Will we remember what was real?”

Overall, the album is layered with rich sounds from a variety of instruments, both traditional and electronic. While his selection of instruments may be contemporary, the arrangement and use of them is similar to a classical composition and takes you on a journey of the mind. While Hobs End doesn’t have a signature sound to it that screams “Chance Morrison made me!”, it certainly stands out from the monotonous droning of most new electronica music. If you are a fan of Six Degrees or Nettwerk artists, do yourself a favor and check out Requiem for Delinquency.

You can purchase Hobs End at your local Barnes & Noble and Best Buy. If you prefer to shop online, you can buy the compact disc or download Hobs End at Amazon.com.

Requiem for Delinquency Links:
Official Website
MySpace Page
Facebook Page
YouTube Channel

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When Terry Goodkind‘s Sword of Truth books were made into last season’s new hit fantasy series Legend of the Seeker, fans of the books both cringed and rejoiced. I know I struggled with it at first because I really liked the show but found myself over and over again yelling “NO NO NO NO” at the screen when they changed major events and characters. Eventually, though, I was able to separate (for the most part) the television series from the books in my mind and now less frequently find myself yelling NO. I really love the show and the actors on it and believe that the essence of the primary characters (Richard, Kahlan, Zedd, Chase, etc.) has remained intact while less prominent characters suffer the most personality slaughter (i.e. Jenssen, Denna, Michael and particularly Adie).

I’m especially fond of Bridget Regan as Kahlan Amnell and feel the only thing missing is the famous green eyes (but Bridget’s beautiful blue eyes are just as dramatic as Kahlan’s were in the books). While the gorgeous Craig Horner doesn’t physically match the description of Richard Cypher in the books (in fact, the D’Haran racial traits are completely absent in the series), he portrays the nature of Richard very well and he and Bridget have a fabulous on (and off) screen chemistry. I think Bruce Spence was born to play Zeddicus Zu’l Zorander and Jay Laga’aia captures the very essence of Chase. While the plot of Season 1 only loosely followed the story of Wizard’s First Rule, from the sneak peek above and comments made by the cast and crew at Comic-Con and on Twitter, Season 2 seems to more closely follow the events of the second Sword of Truth book, Stone of Tears.

While the late last-season introduction of the Mord Sith Cara (arguably one of the most important characters in the series) was considerably different than in the books, hopefully Season 2 will bring her closer in line with the important role she played in the books. It looks promising since the actress who plays her, newcomer Tabrett Bethell, has signed a six year contract with the show. I must say that the casting for Cara is perfect. When Mord Sith Denna was introduced in Legend of the Seeker, her character and behavior were so out of line with the cool and in control, seething and simmering Denna of the books that those episodes featuring her still make me cringe. With Cara, however, even though the events have changed, I think they nailed the persona. I look forward to seeing more of her in Season 2 even though I know they are taking liberties with her character as well.

My biggest concern for the series now is, will they introduce one of my personal favorite characters, Nicci? I believe that her story is very important and, if told by the series, should be told as closely in line with the books as possible since her role is important not only in Richard and Kahlan’s life but in the overall message of The Sword of Truth. If this season follows Stone of Tears closely, she should be showing up at some point this season and I am curious about who they might cast as the woman who is described as “a vision of the good spirits, though they themselves would fear her”.

In other casting news, Charisma Carpenter, best known for playing the character Cordelia Chase in the television series Buffy the Vampire Slayer and its spin-off Angel, has been cast as Triana in the Season 2 opener while writer, director and actor Michael Hurst, best known as Iolaus in Hercules: The Legendary Journeys and Amfortas in the Legend of the Seeker episode Revenant, will be returning to direct several episodes this season.

Season 2 is currently filming in New Zealand and will premiere November 7th. Can’t wait for November? Pre-order the DVDs (available October 13th) and pick up the books to get your Richard and Kahlan fix!

Order now at Amazon.com:
Legend of the Seeker: The Complete First Season
The Sword of Truth, Books 1-3: Wizard’s First Rule, Stone of Tears, Blood of the Fold
The Sword of Truth, Books 4-6: Temple of the Winds, Soul of the Fire, Faith of the Fallen
The Sword of Truth, Books 7-9: The Pillars of Creation, Naked Empire, Chainfire
Phantom: Chainfire Trilogy, Part 2 (The Sword of Truth, Book 10)
Confessor: Chainfire Trilogy, Part 3 (The Sword Of Truth, Book 11)
Debt of Bones (The Sword of Truth Prequel Novel)

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Artist Phil Jimenez portrays the many incarnations of Wonder Woman since her creation in 1941

Artist Phil Jimenez portrays the many incarnations of Wonder Woman since her creation in 1941

The Wonder Woman film has been languishing without a star for too long (Joss Whedon penned a script years ago but it was reportedly “thrown out” despite industry acclaim). Still in early development with a planned 2011 release date, one actress after another has been rumored to be attached to the film without any official confirmation. With the rest of the Justice League making (big and small) screen appearances in recent years, now would be the perfect time for the third corner of the DC Holy Trinity (Superman, Batman, Wonder Woman) to make her appearance. So, why hasn’t she? According to a Justice League movie site and IMDb both the Justice League and Wonder Woman films are slated for a 2011 release, set to battle against Marvel‘s The Avengers for moviegoers’ attention. While The Avengers has been pushed back to 2012, it’s still very much a happening thing. So where is DC? Where is our JLA and our WW?

One rumored problem was the lead actress. Megan Fox broke fans’ hearts when, hot off her Transformers success, she dissed the Amazonian princess as a “lame superhero”. Then Jessica Biel (Blade: Trinity) carefully avoided stepping on toes by saying that if the script and the character development was right she’d be “into that kind of thing” but then declined anyway. Australian fashion model turned actress Megan Gale was also “confirmed” by several websites as attached to the role, but in the year and a half since that announcement nothing else has been whispered. So, what’s the problem?

Diana Prince has gone through a lot of changes over the decades. Having been almost continuously in print since her creation in 1941, she’s run the gambit of personas. She’s really toughened up over the last two decades, though, shedding the campy image that dominated the 70s and 80s, due largely to the JLA cartoons. She kicks butt with the best of them now, so whoever gets the role of the Amazon Princess needs to be able to lay down some serious justice.

In reviewing the female action heroes (and actresses who played them in recent years), one unbelievable waif of a girl after another is presented. Wonder Woman needs to be just that — a Woman. A real-life, honest-to-goodness adult woman who has curves and charm, not just some stick-like Hollywood hottie. While actresses such as Mila Jovovich and Jennifer Garner are very believable action heroes, neither would be a good match for Wonder Woman. Talented movie chameleon Charlize Theron might be able to pull it off because she seems to magically become whoever she wants to be, but would she be interested in a role that could lead to sequels?

There is one actress who comes to mind who has both the curves and kicks. In the syndicated action fantasy series Legend of the Seeker, star Bridget Regan has proven that she has the acting and karate chops, as well as the beauty, to pull off the role of Amazon Princess Diana.

The right woman for the job? Bridget Regan's fans seem to think she's perfect for the role.

The right woman for the job? Bridget Regan's fans seem to think she's perfect for the role.

Each week, in her role as Mother Confessor Kahlan Amnell, we watch Bridget as she kicks, punches and stabs the bad guys, sometimes even from horseback. She’s believable doing it because she really is doing it. She reported in a recent interview that the New Zealand stuntmen encourage her to hit or kick them as hard as she can, and she certainly seems to enjoy herself doing it. She’s gorgeous, talented, looks great in a corset, and can pull off a roundhouse and look mean doing it. On top of her fighting skills and great looks, she’s got charm. One minute she’s casting a glare that could freeze you in your tracks and the next she’s flashing a smile that melts your heart. Fans are so certain that she’s a perfect fit for the role of Wonder Woman, they’ve started a petition at Petition Spot to try to help get her an invitation to audition for the role. The latest rumors are that producers are getting serious about it, and Wonder Woman is supposed to get fast-tracked. Perhaps casting Bridget Regan in the role will be a boon for the production considering how popular Legend of the Seeker is at the moment. I can’t think of anyone else I’d rather see in the role right now so I’m totally rooting for her. Go sign the petition and spread the word.

Good luck, Bridget!

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I admit I still watch cartoons. I can blame it on being a mother who was concerned with what her children were watching when they were little but we all know that’s not the truth. I believe that a well-told story is as ageless as it is timeless. That’s why movies and books from before we were born still have an impact on us today. Times change, customs change, but people don’t change. There’s always a struggle to do what is right and good, no matter what era you grew up in. Avatar: The Last Airbender is a classic good versus evil tale of a young man who is the last of his kind and possibly the last hope for mankind. Drawing heavily from several Asian cultures and blending them with Western culture, Avatar has created a unique world and mythology of its own.

The people of this world are divided into four nations, with one of each of the elements as the central focus of their culture. Each generation someone (called an Avatar) is born empowered with one of the four elements — Earth, Water, Fire and Air — and through their influence, balance and peace is kept between nations. But the balance has been broken and the Fire Nation threatens to conquer all. As Avatar of Air, Aang and his companions Katara and Sokka must fight to restore the balance and stop the Fire Nation before it’s too late.

Some people might object to the watered down philosophies presented in Avatar: The Last Airbender but while the elements of Taoism, Buddhism and other Eastern philosophies are present in the show, they are uniquely blended and presented as part of the culture of this fantasy world and not as indoctrination for your children. What your children might learn from Avatar is that there are consequences to your actions, including how we treat our environment and resources and each other (Avatar won a 2009 Peabody Award for its “unusually complex characters and healthy respect for the consequences of warfare”).

Avatar: The Last Airbender was created by Michael Dante DiMartino and Bryan Konietzko and aired on Nickelodeon for three seasons, from 2005 through 2008. Avatar’s animation style blended traditional anime with Western animation to create a unique animated experience. Each week over one million viewers of all ages watched Avatar. It won several awards during its run and garnered praise from viewers and critics alike. Alas, all good stories come to an end, and when Avatar: The Last Airbender’s end came in July 2008, over 5.6 million viewers tuned in for the two-hour series finale.

The appeal of this series wasn’t lost on M. Night Shyamalan. He took on the mantle of directing the film adaptation, titled The Last Airbender. Tentatively a trilogy, The Last Airbender is currently filming with a slated release in 2010, and is penned, along with Shyamalan, by the series creators DiMartino and Konietzko. Other encouraging names attached to production are Frank Marshall and Kathleen Kennedy as producers (the team that brought us such films as Indiana Jones, The Spiderwick Chronicles, The Sixth Sense, Arachnophobia, Back to the Future, The Goonies, E.T. the Extra-Terrestrial, and roughly six dozen more) and special effects by Industrial Light & Magic. The teaser trailer for the film was just posted and I was so excited after watching it that I’m ready to dash over to Amazon.com to buy the DVD box set (my son and I missed the last half of the third season and series finale as we spent the summer camping). I am really looking forward to this coming out. It looks amazing and, with the team that’s working on it, I can’t imagine it being anything less then great.

Check out these other related links:
The Last Airbender on IMDb
The Last Airbender YouTube Channel
Avatar: The Last Airbender Nickelodeon Website
Avatar: The Last Airbender — The Complete Book 1 Collection DVD
Avatar: The Last Airbender — The Complete Book 2 Collection DVD
Avatar: The Last Airbender — The Complete Book 3 Collection DVD

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At first glance the new web series Lumina looks like an action thriller with a brooding atmosphere, but a closer look reveals a dark fantasy world that could be our own. I don’t know what influences series creator Jennifer Thym drew from, but, while rewatching the trailer (which I’ve done many times now), I am reminded of modern fairy tales (or urban mythology) by authors such as Neil Gaiman and Charles De Lint, who write about worlds that secretly coexist and interact with our own. The images on the Lumina website are beautiful and I look forward to seeing more of the world Jennifer Thym has created. I’m especially in love with the image of Lumina leaning against a wall while, in her reflection, Ryder caresses her. I think that image captures and poignantly illustrates the place inside all of us where our deepest loneliness is calling out to be loved.

Lumina premieres this summer on YouTube.

RockGinger and Sommertime Productions are proud to announce that the Lumina Web Series Official Trailer is now available to view online at www.luminaseries.com in the new High Definition YouTube format.

Lumina is a daring thriller web series starring JuJu Chan (Jiu Jo Remix MV for Terence Yin and 24 Herbs, TVB People’s Choice Award for Miss Chinatown USA 2009) as Lumina Wong, a young lonely Hong Kong woman who has a chance encounter with the mysterious Ryder Lee, played by Michael Chan, star of the viral YouTube sensation, Wall Street Fighter IV. Lumina’s diverse international cast includes Vince Matthew Chung, recent winner of The Amazing Race Asia 3, as Lumina’s best friend, Teddy Waits.

Directed and written by first time Asian American director Jennifer Thym (RockGinger) and produced by Sommer Nguyen (Sommertime Productions), Lumina was filmed on location in Hong Kong with the cutting edge RED One camera. The series will feature music from the independent Asian music collective, The Enigmatic Army.

Lumina will open your minds cinematically, and the story will open your hearts to the impossible,” says producer Sommer Nguyen. “Web series is a new and exciting medium,” adds director Jennifer Thym. “With Lumina, we wanted to create a beautiful and intricately woven story, something that you could watch in bite sized internet friendly segments but would still tantalize you for hours to come.” 

Lumina Wong (JuJu Chan) is beautiful but works far too much; although she lives in a city of millions, she still feels lonely and isolated. Late one night, Lumina has a chance encounter with Ryder Lee (Michael Chan), a handsome young man from another world that she can see in mirrors and darkened window reflections. She revels in the fantasy relationship until mirrorspy Eben Sanchez (Jacob Ziacan) comes into her life, warning her of the treacheries of the people of the Dark Realm. Soon Lumina must choose between the safety of the world she knows and the deadly allure of the unknown.

Lumina the Web Series will premiere summer 2009. For more information, please contact us or visit our website, www.luminaseries.com.

Lumina Links:
Lumina — The Official Web Series Site
Lumina on Alive Not Dead
Lumina on Facebook
The Official RockGinger Blog

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Comedy Central's Krod Mandoon and the Flaming Sword of Fire premieres tonight

Comedy Central's Krod Mandoon and the Flaming Sword of Fire premieres tonight

From the time of the long ago past arrives Krod Mandoon and The Flaming Sword of Fire, Comedy Central’s epic new half-hour, live-action series that chronicles the adventures of Krod Mandoon (Sean Maguire) and his hopelessly futile band of warriors as they take on the evil Chancellor Dongalor (Matt Lucas). Marking the all-comedy network’s first foray into fantasy-comedy, the groundbreaking series premieres on Thursday, April 9 at 10:00 p.m. marked by a special one-hour episode with limited commercial interruptions.

Fantasy fans take their genre very seriously, even when it’s a comedy. With the renewed interest in fantasy productions, Comedy Central is making its own venture into the fray. Krod Mandoon and the Flaming Sword Of Fire has elements of classic fantasy epics like Terry Goodkind’s Sword of Truth series and TSR’s Forgotten Realms, with a bit of American Pie thrown in to lampoon it up.

Fantasy fared well in syndication in the 90s with shows like Hercules: The Legendary Journeys, Xena: Warrior Princess, and Highlander: The Series, but comedic fantasy only garnered a small, loyal following. Shows like Wizards and Warriors and The Charmings were delightful to watch but not able to support a large enough audience to stay on the air for long. Even Pushing Daisies, one of the most amazing fantasy television productions ever to grace the small screen, had trouble holding an audience, not so much due to lack of fans but network decisions to take it off the air for weeks at a time. (The demise of Pushing Daises feels more like premeditated murder than death by natural causes, but I’ll keep my network rants to myself for the time being.)

Enter Krod Mandoon, the last hope for freedom from the tyranny of the evil Chancellor Dongalor. With a slick wardrobe and props, the show looks good, but will it be good? We can expect it to borrow from every book, movie, and TV series ever produced, but will they play it well? From watching previews and clips on the website, I’m concerned that the over-abundance of lowbrow humor and sight gags will alienate the true fantasy crowd, but I want to like it. I want it to be a good show, though I’m not getting my hopes too high. I’m planning on giving it a few episodes to decide if it’s worth my time or not. I truly believe all shows need 4 to 7 episodes to hit their stride. I hope they find a balance between their parody and their plot because sight gags only go so far, especially with a well-read and educated genre fanbase.

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Every fall new shows come on the air and we are left wondering, “Is anything worth watching?” Most seasons, I’d have to say “No”, but this year has had some surprises. It used to be that shows would air new episodes during the fall and spring and then play repeats during the holidays and summer. Anyone who had missed a show might find themselves thumbing through channels late in season one or season two and fall in love, allowing those viewers to plan around watching the show and getting caught up on the repeats and excitedly ready for the new episodes.

The trend nowadays though is to air a show for 3 or 4 episodes, put it on hiatus for a month and play another 2 episodes, and then cancel the show before it’s even found an audience. This sure doesn’t help the networks draw viewers or help the viewers decide what to make time for, especially when most of what they do discover runs the risk of sudden death. Hopefully this will help steer you to a few new (or newer) shows that deserve a following. From the really good to the just good fun, here are a few shows I’d recommend you check out if you haven’t already.

Fringe

I’ve already commented on and will continue to rave about Fringe. I think it is the best new show on television. It’s the only show that consistently keeps me guessing with the plots without being so convoluted that I feel the writers are making it up as they go along. The characters are richly layered and enjoyable. The actors are well understated in their performances, which lends credibility to the characters, even John Noble as Walter, who could easily try to take it over the top and maybe get away with it but it would not be such a treat to watch.

Anna Torv doesn’t have the typical Hollywood blonde appearance. As Agent Olivia Dunham, she is beautiful, but not stunningly so, and they’ve played down her beauty by the way they dress her. While her business attire is very classy and looks great on her, they seem to be sending the message that Olivia has no idea just how beautiful she is, and she dresses work-sensible with little attention to aesthetics. She’s the kind of intelligent and attractive woman you can see in any number of professional jobs so she doesn’t come off as the typical glamorous beauty studio execs put in a show to sell it to the young male audience. She’s believable as an intuitive and driven woman who won’t be satisfied until she has her answers — all of them.

I never watched Dawson’s Creek so I have no previous conception of Joshua Jackson to be broken. As Peter Bishop, he’s the right balance of seething sarcasm and charming wit. He seems to try to come off as untouchable, unmoving and apathetic, but then an expression suddenly crosses his face and you see the walls come down, revealing an unguarded pathos that leaves you wondering where the game ends and man begins. Phillip Broyles as Agent Lance Reddick tends to glower in every scene. He ranges from being intimidating to conspiratorial without a whole lot more in between. We haven’t seen much of an opening or range in him yet but, as Olivia stated to him recently, “We don’t know each other well enough for you to say something like that to me.” I plan on sticking around to find out just how well they do get to know each other.

Fringe airs on Fox on Tuesday nights at 9/8 central. The entire series is currently available online at fox.com, so if you have missed it you can catch up now.

Pushing Daisies

This is Season 2, technically, but Season 1 was cut off by the writers strike, so let’s call it Season 1.5. If this was last fall, I’d be saying this is the best new show of the season but, alas, with a handful of episodes already on the air before this season’s premiere I can’t rightfully give it that title. I can, however, still call it amazing, wonderful, funny, entertaining, surprising, charming, unique, well written, well acted and absolutely endearing. Pushing Daisies is a brilliant show. It was the only new series I watched last season and the only season premiere I was anticipating this fall. In a TV wasteland filled with rehashed reality-based cops and over-sexed doctors, this is a refreshing treat.

The ensemble cast is a delight to see each week and the storytelling is a gem! One of my biggest peeves in series television is how predictable the plots are. It’s truly a pleasure to be able to enjoy a show and be genuinely surprised with the story twists. When I first began watching it, I was hooked right away. Pushing Daisies is a fairy tale-like fantasy with romance, murder and mystery. It tells the story of the Pie Maker, Ned (played adorably by Lee Pace), who has a gift for bringing dead things back to life with a touch. That may sound amazing at first thought, but imagine trying to eat a cheeseburger or some fried chicken when anything dead that touches you comes back to life. One touch brings the dead back to life, a second touch makes it dead forever, but after having a few meals wander off his plate, I’m sure vegetarianism suddenly sounded like a wonderful idea.

Ned runs a pie shop called “The Pie Hole” where he creates the most luscious, fruity desserts you will ever have the pleasure to savor. Olive Snook (the incredible Kristin Chenoweth) is his employee, who goes unnoticed by Ned as she pines over him. Enter detective Emerson Cod (Chi McBride), who sees Ned’s “gift” as a cash cow. What better way to solve a murder then to ask the victim, “Who killed you?” Everything is going fine for Ned and Emerson until a case brings Ned face-to-casket with the love of his life, Charlotte “Chuck” Charles (Anna Friel), his long lost, childhood friend. Unable to help himself because he’s so happy to have her back in his life, he refuses to touch her again, and suddenly the living dead girl is added to the mix.

While there is an ongoing storyline, each episode stands well alone. With the help of a narrator, we are escorted along the stories from week to week, so it’s safe to tune in now without feeling too lost. I’m not sure why ABC keeps playing two episodes and then taking it off for two weeks before playing the next two, but I fear they are sabotaging the best show on their network. It hasn’t been renewed for a third season yet, so hopefully they will actually play the episodes every week so people can start watching it again.

You can tune in to ABC on Wednesdays at 8/7 central or catch the full episodes on abc.com.

Sanctuary

I’ve been following Sanctuary since I first saw an interview with Stargate SG-1‘s Amanda Tapping on YouTube. She mentioned a new series she was producing directly to the Internet so I looked it up and discovered the rattling gates on the website, sanctuaryforall.com. The eerie music and wind-blown creaking gates were as intriguing as the idea of a fully virtual set. I checked back every few days and, finally, one day there was a tiny little link that said, “join the team”. The following week I received an email inviting me to beta test the site, and thus began my submersion in the world of Sanctuary. Part of the draw for me was my disillusionment with the way networks treat their sci-fi and fantasy viewers. Our shows are always the first to get yanked. The idea of cutting out the middle man and going directly to us, the loyal viewers, was exactly the revolution I was looking for.

When the SCI FI Channel opted to make it into a television series, I immediately had reservations. How would their touch affect our beloved show? Did this mean the revolution was over and we as a subculture had lost again? My trust in the series creators — Damien Kindler, Amanda Tapping and Martin Wood — kept me loyal, but when the series premiered in October I had mixed feelings. There was a fair mixture of scenes from the original web series and new footage in the expanded plot, and over the first 4 episodes I struggled with it, because every time I seemed to buy into the re-envisioning, they’d throw in an old scene and suddenly my mind was snapped back and I had the sense that everything was wrong. “That’s not the way it happened,” I thought to myself. Still, I really loved the concept and the people involved in the project, so I held on to my hope and kept viewing. I’m really glad I did.

Now that the original web series footage and stories have come and gone, I find it much easier to get caught up in the plot. While I was able to see some of the plot turns coming, I have to admit that they are getting better with each episode. I now really want to know what happens next. I now feel like the changes are an improvement. I’ve finally been able to separate the web series and the TV series and can truly enjoy the show. Anyone who never saw the wepisodes won’t have the same problems I had getting attached to the series.

Inspired by the works of classic science fiction and fantasy, and graphic novels such as The League of Extraordinary Gentleman, Damien Kindler’s Sanctuary tells the story of Helen Magnus (Amanda Tapping), a Victorian-era scientist who has devoted her life to tracking down rare, exotic and often mythological creatures and abnormals (people and creatures who have, through genetic mutations, become something other than “human” as we know it). She is assisted by her daughter Ashley (the incredibly talented Emilie Ullerup, who stole our hearts as Kaitlin in jPod last year), her tech guy Henry (the adorable Ryan Robbins) and her new protégé Will (Robin Dunne). Will is new to the environment, to the world that he never imagined was real. As he becomes submerged in this new world, so do we. The series is shot in Vancouver, so a lot of familiar faces keep dropping in, including other Stargate alum like the amazing Christopher Heyerdahl, who juggles roles here as he does on Stargate Atlantis.

If you are a fan of classic authors like Jules Verne, H. Rider Haggard, H.G. Wells and Edgar Rice Burroughs, you may not just like this series, but love it.

True to its original simultaneous international release, it is being shown worldwide, so check your local stations if you are outside of the U.S. and request it if no one is showing it yet. For those of you in the U.S., you can catch it on the SCI FI Channel on Friday nights at 10/9 central or on scifi.com.

Legend of the Seeker

Harken back to the glory days of syndicated science fiction and fantasy television. With shows like Highlander, Hercules: The Legendary Journeys, Xena: Warrior Princess, The Adventures of Sinbad, Time Trax and many others, the 90s was a virtual smorgasbord for adventure-hungry geeks everywhere. With the success of films like The Lord of the Rings and Harry Potter, fantasy is making a comeback, and it’s very refreshing to see. Legend of the Seeker, brought to us from the same team who brought us Hercules and Xena, is based on the Sword of Truth series of books by Terry Goodkind. There have been some pretty harsh reactions from fans of the books, as can be expected with any show based on a novel, but, overall, it’s higher quality and less campy than the previous endeavors of the New Zealand team. While plot deviations will always be a zone of contention with fans, so far my only quibble is how cheery everyone is. They are on a grand adventure together and there are some heavy moments, but the overall cheer level is higher than I would expect from people who are in constant mortal danger. Still, I’m enjoying it for what it is: a light-hearted fantasy saga that doesn’t take itself too seriously and aims to entertain, not make history. Hopefully it will have the legs to walk on for at least a few years.

Legend of the Seeker tells the story of Richard Cypher (Craig Horner), a simple Westland farm boy. A respected and well liked member of the community, a hunter and tracker, he discovers he isn’t who he thought he was when the magical Confessor Kahlan Amnell (Bridget Regan) arrives from the Midlands in search of the powerful wizard Zeddicus Zu’l Zorander (Bruce Spence). Zed was entrusted with hiding and protecting The Seeker, a child of prophecy who would save their land and people from the ruthless Darken Rahl (Craig Parker). After discovering the truth of his birth, he sets out with Zed and Kahlan to discover his heritage and save his people.

You can use the Legend of the Seeker website, legendoftheseeker.com, to look up your local listings and find out when it airs in your neck of the woods.

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Sandeep Parikh of The Guild, The Legend of Neil, and Effinfunny.com recently announced that he was seeking Registered Voters from Azeroth, the world in World of Warcraft, in order to conduct a 2008 Presidential Election Poll. After several days of grueling research, the results are in!

Election Duel! Obama Vs. McCain – Who Get’s Pwned?

Comedian Rich Kuras infiltrates the World of Warcraft to poll players on the 2008 Presidential Election. We broke down the results per race and Class. What we found may…and please excuse the pun…WOW you.

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