Coraline Movie Tie-In Books

Coraline: The Movie Collector's Edition

The Coraline movie premieres on February 6, and what better way to count down the days than to read, or reread, the award-winning children’s book by Neil Gaiman?

When Coraline explores her new home, she steps through a door and into another house just like her own… except that it’s different. It’s a marvelous adventure until Coraline discovers that there’s also another mother and another father in the house. They want Coraline to stay with them and be their little girl. They want to keep her forever.

Coraline must use all of her wits and every ounce of courage in order to save herself and return home.

Coraline: The Movie Collector’s Edition is a new hardcover edition of the 2002 novel. It retains the original book’s interior illustrations by Dave McKean, but now has a movie art cover and an eight-page insert of full-colour images from the film. A section at the back of the book, entitled “Extra Delights for the Coraline Reader”, features a note from Neil Gaiman about director/screenwriter Henry Selick (The Nightmare Before Christmas, James and the Giant Peach), a note from Henry Selick about author Neil Gaiman, and an excerpt from Henry Selick’s screenplay for Coraline. Even if you have the first edition of Coraline, the Movie Collector’s Edition is well worth getting for these bonus materials.

Coraline: A Visual Companion

Serving as a bridge between the novel and film is Coraline: A Visual Companion by Stephen Jones. This weighty coffee table book, with a foreword by Neil Gaiman, is a comprehensive guide to the making of the Coraline movie, divided in four parts:

  • The Book
  • The Movie
  • The Characters, and
  • The Other Coralines, a catch-all category covering Coraline‘s related projects:
    • the 2004 short student film of Coraline that combined live-action and cut-out animation.
    • the 2006 Neil Gaiman tribute CD, Where’s Neil When You Need Him?, with three songs inspired by Coraline.
    • the 2006 touring stage production of Coraline by Irish theatrical puppet troupe Púca Puppets.
    • the 2007 touring stage production of Coraline by Swedish children’s and youth theater group Mittiprickteatern.
    • the 2008 Coraline graphic novel adaptation by P. Craig Russell.
    • the 2009 Coraline: The Game, D3Publisher of America’s game adaptation of the film for PlayStation 2, Nintendo DS, and Wii.
    • the 2009 Coraline musical, a theatrical adaptation with music and lyrics by Stephin Merritt and book by David Greenspan, produced by MCC Theater and True Love Productions off-Broadway at The Lucille Lortel Theatre in New York, set to have its world premiere on May 6.
    • movie tie-in marketing campaigns, such as in-store promotions with American fast-food restaurant chains Macy’s and Carl’s Jr., cards and gift-wrap at Hallmark, and toys created by NECA.

Glossy pages trace Coraline‘s path from novel to stop-motion film in lush detail, accompanied by a wealth of behind-the-scenes production photos, preliminary sketches, illustrations, character designs, conceptual art, and completed images from the movie. Interviews with cast members Dakota Fanning (“Coraline”), Teri Hatcher (“Mother/Other Mother”), Ian McShane (“Mr. Bobinski”), Jennifer Saunders (“Miss Forcible”), and Dawn French (“Miss Spink”) — John Hodgman (“Father/Other Father”) curiously absent — and the film’s crew, including Neil Gaiman, add further insight into the film’s creative process. Coraline: A Visual Companion is a peek behind the animated curtain “that will appeal to Gaiman fans, cinema buffs, visual art enthusiasts, and all those who fall in love with the inquisitive young heroine of Henry Selick’s extraordinary film.”

Once you’ve read Coraline, and spent time in its Other World, you’ll never look at buttons the same way again. (Trivia Note: The fear of buttons is known as “koumpounophobia”.)

Order now at Amazon.com:
Coraline: The Movie Collector’s Edition (Canada)
Coraline: The Movie Collector’s Edition (US)
Coraline: A Visual Companion (Canada)
Coraline: A Visual Companion (US)

Coraline: The Movie Collector’s Edition and Coraline: A Visual Companion are distributed by HarperEntertainment and William Morrow, imprints of HarperCollinsCanada and HarperCollins Publishers. For more information on Coraline, visit the Neil Gaiman website and its related website for young readers, Mouse Circus. Neil Gaiman may also be followed on Twitter.

The Graveyard Book

Neil Gaiman
Neil Gaiman

Cross Rudyard Kipling’s The Jungle Book with Tim Burton’s The Corpse Bride, filter the mix through the inimitable mind of Neil Gaiman, and you have The Graveyard Book.

Nobody Owens, known to his friends as Bod, is a normal boy.

He would be completely normal if he didn’t live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead.

There are dangers and adventures in the graveyard for a boy — an ancient Indigo Man beneath the hill, a gateway to a desert leading to an abandoned city of ghouls, the strange and terrible menace of the Sleer.

But if Bod leaves the graveyard, then he will come under attack from the man Jack — who has already killed Bod’s family….

Despite such a macabre premise and setting for a children’s novel, Gaiman makes growing up in a graveyard seem not only plausible, but homey. The crumbling burial ground, so beautifully described, sounds more like a wild English garden than a gloomy resting place for old bones, its resident ghosts a diverse community spanning centuries. Each of the graveyard’s otherworldly inhabitants are colourful individuals with genuine personalities, and reading about their interactions is like overhearing wonderfully strange anecdotes about somebody’s large, tight-knit family. It’s hard to imagine why Bod would ever want to leave this Gothic paradise, especially since his adopted kin have given him the “Freedom of the Graveyard”, which allows the living boy a measure of the dead’s special abilities, like Fading (who hasn’t occasionally wished they could hide by turning invisible?), Dreamwalking, and Phasing through things. Even with its dangerous ghouls and dark, ancient mysteries, the cemetery always feels like a safe haven from the horrors of school and would-be murderers that lurk outside its protective gates.

As Gaiman points out, though, “The boundaries are always there — between the graveyard and the world beyond, between life and death, and the crossing of them.” Upon reaching adulthood, Bod inevitably faces a choice: stay in the graveyard, where things are safe but stagnant, or go out and truly live. It’s a conflict that will resonate with readers approaching a similar crossroads.

For those who’ve read Gaiman’s previous works, part of The Graveyard Book will already be familiar. Chapter 4, “The Witch’s Headstone”, was first published in the 2007 short fiction collection M is for Magic, where it won the 2008 Locus Award for Best Novelette. Recognizable, as well, is The Graveyard Book‘s artist. Dave McKean, a frequent Gaiman collaborator, supplies the deeply creepy illustrations that pop up at random in the text like spooks in a carnival haunted house.

Recommended Reading Level: Young Adult (9-12) for scary situations and strongly implied violence.

Order now at Amazon.com:
The Graveyard Book (Canada)
The Graveyard Book (US)

Online bonus:
The Graveyard Book Video Tour — Watch Gaiman, a gifted storyteller, read the entire novel online. It’s a lovely way to spend a stormy evening.

The Graveyard Book is distributed by HarperCollins Children’s Books, a division of HarperCollinsCanada and HarperCollins Publishers. For more information on the book and its author, visit the official book website at The Graveyard Book, and the Neil Gaiman website and its related website for young readers, Mouse Circus. Neil Gaiman may also be followed on Twitter.

The Tales of Beedle the Bard

The Tales of Beedle the Bard

One of the most anticipated books of 2008 was J.K. Rowling’s The Tales of Beedle the Bard, a collection of wizard fairy tales referenced in the final book of the Harry Potter series. Prefaced by an introduction by Rowling, the slender volume contains the stories “The Wizard and the Hopping Pot”, “The Fountain of Fair Fortune”, “The Warlock’s Hairy Heart”, “Babbitty Rabbitty and her Cackling Stump”, and “The Tale of the Three Brothers”. The latter tale appeared in Harry Potter and the Deathly Hallows, where it aided Harry, Ron, and Hermione in their quest to unearth the Deathly Hallows and thereby defeat Lord Voldemort, but the other four stories are completely new works. Scholarly notes attributed to Professor Albus Dumbledore, which “appear by generous permission of the Hogwarts Headmasters’ Archive”, with occasional footnotes by J.K. Rowling, add an air of verisimilitude to the book, as does the title page that quite fittingly credits Hermione Granger for translating the book from the original runes. Rowling’s charming illustrations, black-and-white line drawings perfectly suited to Beedle‘s Brothers Grimm-style storytelling, reveal another facet of the author’s creative talent, making it even more interesting to guess at what she’ll produce next, post-Harry Potter.

The Tales of Beedle the Bard was released in both a Standard Edition and a Collector’s Edition, the second offered exclusively by Amazon.com. The Standard Edition contains the five fairy tales, a new introduction by J.K. Rowling, illustrations reproduced from the original handcrafted book, and commentary on each of the tales from Professor Albus Dumbledore. The Collector’s Edition features all five fairy tales from the original The Tales of Beedle the Bard; an outer case disguised as a wizarding textbook from the Hogwarts library; 10 ready-for-framing prints of J.K. Rowling’s illustrations; an exclusive reproduction of J.K. Rowling’s handwritten introduction; 10 new illustrations by J.K. Rowling not included in the Standard Edition or the original handcrafted edition; a velvet bag embroidered with J.K. Rowling’s signature; metal skull, corners, and clasp; replica gemstones, and an emerald ribbon. Available only in limited quantities, Amazon.com recently posted a sold-out notice for the Collector’s Edition:

Thanks to the incredible enthusiasm of Harry Potter fans, we have sold out of all copies of The Tales of Beedle the Bard, Collector’s Edition available in the United States. To ensure that we have enough replacement copies (for example, for books damaged during shipping), we will be holding a limited number of copies in reserve. If you missed out on ordering your copy of the Collector’s Edition, it is possible that a small number of copies will become available in the weeks following its release on December 4, 2008.

J.K. Rowling has waived her royalties for The Tales of Beedle the Bard, and net proceeds from book sales will be donated to the Children’s High Level Group, a children’s rights charity co-founded by Rowling to benefit children who have been relegated to residential institutions. A press release from the Children’s High Level Group — J.K. Rowling Delighted as Beedle Sales Raise More Than £4M for CHLG in First Week — thanks Muggle fans for their support of this very important cause.

Check out the full range of Harry Potter titles, aside from The Tales of Beedle the Bard published specially by the Children’s High Level Group, at Raincoast Books. In addition to the original books, Raincoast Books offers adult, large print, “magic”, deluxe gift, foreign-language (Latin, Welsh, Ancient Greek, Irish), and box set editions, as well as the textbooks that Rowling wrote for Comic Relief, Quidditch through the Ages and Fantastic Beasts & Where to Find Them.

Order now at Amazon.com:
The Tales of Beedle the Bard, Standard Edition
The Tales of Beedle the Bard, Collector’s Edition (Offered Exclusively by Amazon)
Harry Potter Store featuring books, audio CDs, DVDs, posters, soundtracks, toys & games, video games, and videos.

Or order directly through the Bloomsbury Publishing website.

Shop for unique Harry Potter merchandise at Alivan’s Master Wandmakers.

The Tales of Beedle the Bard is distributed by Children’s High Level Group, in partnership with Bloomsbury Publishing, Scholastic and Amazon.com. The Harry Potter series is distributed by Bloomsbury Publishing (International), Raincoast Books (Canada), and Scholastic (US). For more information on the books and their author, visit the J.K. Rowling Official Site.

Ignatius MacFarland: Frequenaut!

Ignatius MacFarland: Frequenaut!

Do you ever wish that aliens would scoop you up and transport you to a better world? So does Iggy, in Ignatius MacFarland: Frequenaut!

After being teased one too many times, Ignatius MacFarland decides to build a getaway rocket. Maybe extraterrestrials are nicer than his classmates! But when his rocket takes an explosive wrong turn, Ignatius ends up in another frequency run by former English teacher turned dictator Mr. Arthur. It’s up to Iggy and Karen, another trapped earthling, to expose Mr. Arthur for the fraud that he is — and hopefully to make it home alive.

Iggy’s home science project lands him in another world, but also proves the adage “be careful what you wish for, lest it come true”, as Iggy finds himself in a situation that nearly makes the bullies back home look like a preferable problem. Boys will love the gross gags, over-the-top fights, weird science, strange monsters, and whimsical illustrations that pack this first young adult novel from Paul Feig, creator of the cult classic TV show Freaks and Geeks. Feig clearly remembers how kids think, and in Ignatius MacFarland: Frequenaut! he creates a believable antihero that young readers will relate to, especially if they’re as socially awkward as the hapless Iggy.

Part comic adventure, part science fiction, and part fantasy, this debut kids’ novel is wholly entertaining. And as only Paul Feig can do, it makes being a geek, well, kind of cool.

A wide open, Quantum Leap-style ending hints that the author intends for this book to be the start of a series, so readers can likely look forward to many more world-hopping adventures with Iggy and his fellow Frequenaut, Karen.

Recommended Reading Level: Young Adult (9-12) for crude bodily humour and mild violence.

Order now at Amazon.com:
Ignatius MacFarland: Frequenaut!

Ignatius MacFarland: Frequenaut! is distributed by Little, Brown and Company, an imprint of Hachette Book Group USA.

The Art of Bolt

Meet Bolt: dashing superdog, loyal companion, and star of a hit television show. When he learns the shocking truth -- that this charmed life has been a lie -- Bolt embarks on a cross-country adventure and discovers along the way that he doesn't need superpowers to be a hero.
Meet Bolt: dashing superdog, loyal companion, and star of a hit television show. When he learns the shocking truth -- that this charmed life has been a lie -- Bolt embarks on a cross-country adventure and discovers along the way that he doesn't need superpowers to be a hero.

The Art of Bolt by Mark Cotta Vaz is the trusty sidekick guide to Bolt — the latest film from Walt Disney Animation Studios — and the newest volume in Chronicle Books’ line of Pixar/Disney animation art books, following The Art of WALL-E. The Art of Bolt documents the evolution of a movie whose “creators built from scratch an ingenious animation process that blurs the line between hand-painted and computer-generated filmmaking.”

Packed with vivid conceptual art “that functioned as beautiful building blocks for the unique look of the film,” The Art of Bolt has the feel of a travel journal filled with sketches and paintings done on a cross-country road trip of urban and rural America, paused for lengthier rest stops in New York, Ohio, Las Vegas, and Hollywood. The bulk of the art consists of scenery studies that show off the expert use of light effects in the film, with sketches of Bolt, his friends Mittens the cat and Rhino the hamster, and the humans they interact with — “physiologically accurate yet perfectly caricatured at the same time” — sprinkled throughout like thumbnails of interesting people seen and met on the journey.

The Art of Bolt is printed on heavy, art-quality paper, and presents a selection of preliminary sketches, character studies, storyboards, colorscripts, and full-color images, along with material from the Disney archives that illustrates how the Bolt creative team sought to return to Disney’s animation roots in their development of the film’s “painterly” look, a blending of classic 2D and modern 3D animation styles. The art is interspersed with quotes, interviews, and essays from the director, producer, designers, artists, and others involved in the production of Bolt, all of which open a fascinating window into the making of this underdog tale.

Order now at Amazon.com:
The Art of Bolt

The Art of Bolt is distributed by Chronicle Books (International/US) and Raincoast Books (Canada).

Fantasy and Sci-Fi Find a New Home in Primetime

Every fall new shows come on the air and we are left wondering, “Is anything worth watching?” Most seasons, I’d have to say “No”, but this year has had some surprises. It used to be that shows would air new episodes during the fall and spring and then play repeats during the holidays and summer. Anyone who had missed a show might find themselves thumbing through channels late in season one or season two and fall in love, allowing those viewers to plan around watching the show and getting caught up on the repeats and excitedly ready for the new episodes.

The trend nowadays though is to air a show for 3 or 4 episodes, put it on hiatus for a month and play another 2 episodes, and then cancel the show before it’s even found an audience. This sure doesn’t help the networks draw viewers or help the viewers decide what to make time for, especially when most of what they do discover runs the risk of sudden death. Hopefully this will help steer you to a few new (or newer) shows that deserve a following. From the really good to the just good fun, here are a few shows I’d recommend you check out if you haven’t already.

Fringe

I’ve already commented on and will continue to rave about Fringe. I think it is the best new show on television. It’s the only show that consistently keeps me guessing with the plots without being so convoluted that I feel the writers are making it up as they go along. The characters are richly layered and enjoyable. The actors are well understated in their performances, which lends credibility to the characters, even John Noble as Walter, who could easily try to take it over the top and maybe get away with it but it would not be such a treat to watch.

Anna Torv doesn’t have the typical Hollywood blonde appearance. As Agent Olivia Dunham, she is beautiful, but not stunningly so, and they’ve played down her beauty by the way they dress her. While her business attire is very classy and looks great on her, they seem to be sending the message that Olivia has no idea just how beautiful she is, and she dresses work-sensible with little attention to aesthetics. She’s the kind of intelligent and attractive woman you can see in any number of professional jobs so she doesn’t come off as the typical glamorous beauty studio execs put in a show to sell it to the young male audience. She’s believable as an intuitive and driven woman who won’t be satisfied until she has her answers — all of them.

I never watched Dawson’s Creek so I have no previous conception of Joshua Jackson to be broken. As Peter Bishop, he’s the right balance of seething sarcasm and charming wit. He seems to try to come off as untouchable, unmoving and apathetic, but then an expression suddenly crosses his face and you see the walls come down, revealing an unguarded pathos that leaves you wondering where the game ends and man begins. Phillip Broyles as Agent Lance Reddick tends to glower in every scene. He ranges from being intimidating to conspiratorial without a whole lot more in between. We haven’t seen much of an opening or range in him yet but, as Olivia stated to him recently, “We don’t know each other well enough for you to say something like that to me.” I plan on sticking around to find out just how well they do get to know each other.

Fringe airs on Fox on Tuesday nights at 9/8 central. The entire series is currently available online at fox.com, so if you have missed it you can catch up now.

Pushing Daisies

This is Season 2, technically, but Season 1 was cut off by the writers strike, so let’s call it Season 1.5. If this was last fall, I’d be saying this is the best new show of the season but, alas, with a handful of episodes already on the air before this season’s premiere I can’t rightfully give it that title. I can, however, still call it amazing, wonderful, funny, entertaining, surprising, charming, unique, well written, well acted and absolutely endearing. Pushing Daisies is a brilliant show. It was the only new series I watched last season and the only season premiere I was anticipating this fall. In a TV wasteland filled with rehashed reality-based cops and over-sexed doctors, this is a refreshing treat.

The ensemble cast is a delight to see each week and the storytelling is a gem! One of my biggest peeves in series television is how predictable the plots are. It’s truly a pleasure to be able to enjoy a show and be genuinely surprised with the story twists. When I first began watching it, I was hooked right away. Pushing Daisies is a fairy tale-like fantasy with romance, murder and mystery. It tells the story of the Pie Maker, Ned (played adorably by Lee Pace), who has a gift for bringing dead things back to life with a touch. That may sound amazing at first thought, but imagine trying to eat a cheeseburger or some fried chicken when anything dead that touches you comes back to life. One touch brings the dead back to life, a second touch makes it dead forever, but after having a few meals wander off his plate, I’m sure vegetarianism suddenly sounded like a wonderful idea.

Ned runs a pie shop called “The Pie Hole” where he creates the most luscious, fruity desserts you will ever have the pleasure to savor. Olive Snook (the incredible Kristin Chenoweth) is his employee, who goes unnoticed by Ned as she pines over him. Enter detective Emerson Cod (Chi McBride), who sees Ned’s “gift” as a cash cow. What better way to solve a murder then to ask the victim, “Who killed you?” Everything is going fine for Ned and Emerson until a case brings Ned face-to-casket with the love of his life, Charlotte “Chuck” Charles (Anna Friel), his long lost, childhood friend. Unable to help himself because he’s so happy to have her back in his life, he refuses to touch her again, and suddenly the living dead girl is added to the mix.

While there is an ongoing storyline, each episode stands well alone. With the help of a narrator, we are escorted along the stories from week to week, so it’s safe to tune in now without feeling too lost. I’m not sure why ABC keeps playing two episodes and then taking it off for two weeks before playing the next two, but I fear they are sabotaging the best show on their network. It hasn’t been renewed for a third season yet, so hopefully they will actually play the episodes every week so people can start watching it again.

You can tune in to ABC on Wednesdays at 8/7 central or catch the full episodes on abc.com.

Sanctuary

I’ve been following Sanctuary since I first saw an interview with Stargate SG-1‘s Amanda Tapping on YouTube. She mentioned a new series she was producing directly to the Internet so I looked it up and discovered the rattling gates on the website, sanctuaryforall.com. The eerie music and wind-blown creaking gates were as intriguing as the idea of a fully virtual set. I checked back every few days and, finally, one day there was a tiny little link that said, “join the team”. The following week I received an email inviting me to beta test the site, and thus began my submersion in the world of Sanctuary. Part of the draw for me was my disillusionment with the way networks treat their sci-fi and fantasy viewers. Our shows are always the first to get yanked. The idea of cutting out the middle man and going directly to us, the loyal viewers, was exactly the revolution I was looking for.

When the SCI FI Channel opted to make it into a television series, I immediately had reservations. How would their touch affect our beloved show? Did this mean the revolution was over and we as a subculture had lost again? My trust in the series creators — Damien Kindler, Amanda Tapping and Martin Wood — kept me loyal, but when the series premiered in October I had mixed feelings. There was a fair mixture of scenes from the original web series and new footage in the expanded plot, and over the first 4 episodes I struggled with it, because every time I seemed to buy into the re-envisioning, they’d throw in an old scene and suddenly my mind was snapped back and I had the sense that everything was wrong. “That’s not the way it happened,” I thought to myself. Still, I really loved the concept and the people involved in the project, so I held on to my hope and kept viewing. I’m really glad I did.

Now that the original web series footage and stories have come and gone, I find it much easier to get caught up in the plot. While I was able to see some of the plot turns coming, I have to admit that they are getting better with each episode. I now really want to know what happens next. I now feel like the changes are an improvement. I’ve finally been able to separate the web series and the TV series and can truly enjoy the show. Anyone who never saw the wepisodes won’t have the same problems I had getting attached to the series.

Inspired by the works of classic science fiction and fantasy, and graphic novels such as The League of Extraordinary Gentleman, Damien Kindler’s Sanctuary tells the story of Helen Magnus (Amanda Tapping), a Victorian-era scientist who has devoted her life to tracking down rare, exotic and often mythological creatures and abnormals (people and creatures who have, through genetic mutations, become something other than “human” as we know it). She is assisted by her daughter Ashley (the incredibly talented Emilie Ullerup, who stole our hearts as Kaitlin in jPod last year), her tech guy Henry (the adorable Ryan Robbins) and her new protégé Will (Robin Dunne). Will is new to the environment, to the world that he never imagined was real. As he becomes submerged in this new world, so do we. The series is shot in Vancouver, so a lot of familiar faces keep dropping in, including other Stargate alum like the amazing Christopher Heyerdahl, who juggles roles here as he does on Stargate Atlantis.

If you are a fan of classic authors like Jules Verne, H. Rider Haggard, H.G. Wells and Edgar Rice Burroughs, you may not just like this series, but love it.

True to its original simultaneous international release, it is being shown worldwide, so check your local stations if you are outside of the U.S. and request it if no one is showing it yet. For those of you in the U.S., you can catch it on the SCI FI Channel on Friday nights at 10/9 central or on scifi.com.

Legend of the Seeker

Harken back to the glory days of syndicated science fiction and fantasy television. With shows like Highlander, Hercules: The Legendary Journeys, Xena: Warrior Princess, The Adventures of Sinbad, Time Trax and many others, the 90s was a virtual smorgasbord for adventure-hungry geeks everywhere. With the success of films like The Lord of the Rings and Harry Potter, fantasy is making a comeback, and it’s very refreshing to see. Legend of the Seeker, brought to us from the same team who brought us Hercules and Xena, is based on the Sword of Truth series of books by Terry Goodkind. There have been some pretty harsh reactions from fans of the books, as can be expected with any show based on a novel, but, overall, it’s higher quality and less campy than the previous endeavors of the New Zealand team. While plot deviations will always be a zone of contention with fans, so far my only quibble is how cheery everyone is. They are on a grand adventure together and there are some heavy moments, but the overall cheer level is higher than I would expect from people who are in constant mortal danger. Still, I’m enjoying it for what it is: a light-hearted fantasy saga that doesn’t take itself too seriously and aims to entertain, not make history. Hopefully it will have the legs to walk on for at least a few years.

Legend of the Seeker tells the story of Richard Cypher (Craig Horner), a simple Westland farm boy. A respected and well liked member of the community, a hunter and tracker, he discovers he isn’t who he thought he was when the magical Confessor Kahlan Amnell (Bridget Regan) arrives from the Midlands in search of the powerful wizard Zeddicus Zu’l Zorander (Bruce Spence). Zed was entrusted with hiding and protecting The Seeker, a child of prophecy who would save their land and people from the ruthless Darken Rahl (Craig Parker). After discovering the truth of his birth, he sets out with Zed and Kahlan to discover his heritage and save his people.

You can use the Legend of the Seeker website, legendoftheseeker.com, to look up your local listings and find out when it airs in your neck of the woods.

Ask a Ninja Presents… The Ninja Handbook: This Book Looks Forward to Killing You Soon

Are you ready to take the first step on the one true path to becoming a ninja?

The deadly wisdom contained in Ask a Ninja Presents… The Ninja Handbook: This Book Looks Forward to Killing You Soon is quite likely to lead to your untimely demise if properly followed, and the manual’s numerous “killer” illustrations are not for the faint of heart and/or humourless, so, as the back cover advises, “carefully consider the joy of your soft-headed ignorance before you begin to run, flip, and jump along the Ninja Path.”

“After much debate and in a spirit of morbid amusement, the International Order of Ninjas has chosen to produce The Ninja Handbook, the first-ever secret ninja training guide specifically designed for the non-ninja,” as transcribed by Douglas Sarine and Kent Nichols, the award-winning creators of the online series Ask A Ninja. “Most non-ninjas who handle these delicate, deadly pages will die — probably in an elaborately horrific and painful manner,” a prediction that most likely applies to the audiobook as well, “but whether your journey lasts five seconds or five days or (rather inconceivably) five years, all those who bravely take up this text and follow the tenets and trials laid out within will die knowing they were as ninja as they possibly could’ve been.”

In the words of the Ask a Ninja ninja, “Remember: People do not take the Path, the Path takes people.”

You’ve been honorably warned.

(Fellow ninja fans and ninjas-in-training can be found lurking in the shadows at the Official Ninja Book Club.)

Order now at Amazon.com:
Ask a Ninja Presents… The Ninja Handbook: This Book Looks Forward to Killing You Soon

Ask a Ninja Presents… The Ninja Handbook: This Book Looks Forward to Killing You Soon is distributed by Three Rivers Press, a division of Random House. For more information, visit Ask a Ninja and the official book website at Ask a Ninja Book.

Earthsong

“The planets are living powerful beings and the sentient species that occupy their surfaces are their children. They face a crisis when their elemental lifeblood begins to seep into the children, eventually culminizing into a soulstone which gives them great powers, but at the cost of their life and eventually that of the planets’ too. One childless planet, Earthsong, is given the task of retrieving these children from their homeworlds and bringing them to her surface where they are safe. She is given tools made of Siderean, or star, element which allow her to remove the soulstone from its host and both back to their planet of origin. Visiting children remember little of their previous lives while on Earthsong and when they return they recall only glimmers of what occurred during their time away. These individuals often build up legends and myths around their strange and fragmented memories of alien species.”

Earthsong: Volume 1
A young woman named Willow awakens to find herself on a mystical world with no memories of her former life. She soon discovers that not only are the residents of this world fantastical creatures of ancient lore, but the planet itself is alive and conscious… and in grave danger! Caught in the middle of a terrible struggle, Willow must come to terms with a harsh reality not of her choosing.

Order now at Amazon.com:
Earthsong: Volume 1

Crystal “Lady” Yates has been writing and drawing Earthsong since June of 2004, and is the founder of the all-female webcomic collective, Tomgeeks.

WALL-E on DVD

WALL-E, the #1 animated film of the year from Disney-Pixar, is released on DVD today, November 18!

The highly acclaimed director of Finding Nemo and the creative storytellers behind Cars and Ratatouille transport you to a galaxy not so far away for a new cosmic comedy adventure about a determined robot named WALL-E.

After hundreds of lonely years of doing what he was built for, the curious and lovable WALL-E discovers a new purpose in life when he meets a sleek search robot named EVE. Join them and a hilarious cast of characters on a fantastic journey across the universe.

Transport yourself to a fascinating new world with Disney-Pixar’s latest adventure, now even more astonishing on DVD and loaded with bonus features, including the exclusive animated short film BURN-E. WALL-E is a film your family will want to enjoy over and over again.

Bonus Features (Single-Disc Standard Edition):

  • BURN-E — Hilarious, All-New Animated Short, “Bringing Light to the Galaxy… Eventual-E”
  • Presto — Amazing Animated Theatrical Short Film
  • Deleted Scenes: Garbage Airlock and Dumped
  • Sneak Peek: WALL-E’s Tour of the Universe — WALL-E Takes You on a Real Ride Through Space
  • Animation Sound Design: Building Worlds from the Sound Up — Legendary Sound Designer Ben Burtt Shares Secrets of Creating the Sounds of WALL-E
  • Audio Commentary with Director Andrew Stanton
  • And More!

Feature Running Time: Approx. 98 Minutes/Colour/Digitally Mastered. Rated G. Earth (and Space) Friendly Eco-Packaging: “Get into Environmentalit-E. Join Walt Disney Studios Home Entertainment as we strive to develop and utilize the most environmentally responsible business practices. For this release of WALL-E, we developed a 100% recyclable DVD package. Find out how you can help WALL-E reduce waste and recycle. Visit Disney.com/gogreen.”

For more WALL-E information, visit the official WALL-E website and Amazon’s WALL-E page, and pick up a copy of the companion book to the film, The Art of WALL-E.

Order now at Amazon.com:
WALL-E (Single-Disc Standard Edition)
WALL-E (Three-Disc Special Edition + Digital Copy)
WALL-E (Two-Disc and BD Live — Blu-ray]
WALL-E (Three-Disc Special Edition + Digital Copy and BD Live — Blu-ray)
The Art of WALL-E

HBO Conjuring Fantasy Series

by James Hibberd, from The Hollywood Reporter:

HBO has given a pilot order to the fantasy project Game of Thrones.

The program is based on George R.R. Martin’s best-selling A Song of Fire & Ice series of novels and executive produced by David Benioff (Troy) and D.B. Weiss (Halo). The title Game of Thrones is from the first novel in the series.

If it gets an episodic order, Thrones would represent the rarest of TV genres: a full-fledged fantasy series.

Although broadcasters have embraced sci-fi-tinged shows in recent years following the success of ABC’s Lost and NBC’s Heroes, and supernatural themes have been given a spin by the CW’s Supernatural and HBO’s own True Blood, high fantasy is nearly nonexistent in primetime TV history — and Thrones is an unabashed member of the genre. The books have swords, dragons, magic, the works.

“Fantasy is the most successful genre in terms of feature films given the incredible popularity of the Lord of the Rings and Harry Potter movies,” Benioff said. “High fantasy has never been done on TV before, and if anybody can do it, it’s HBO. They’ve taken tired genres and reinvented them — mobsters in The Sopranos and Westerns with Deadwood.”

The cost of producing a fantasy series is usually a factor that deters networks. The producers note that Thrones is written as a character drama and major battles often take place offstage.

“It’s not a story with a million orcs charging across the plains,” Weiss said. “The most expensive effects are creature effects, and there’s not much of that.”

Martin plans seven books. If HBO picks up the project to series, the producers intend for each novel to encompass a season.

But before the series can get on the air, the producers first have to slay a threat more formidable than any dragon: pilot competitors. HBO has 10 other pilots in contention for series orders. Though the network declines to project how many shows will receive an order since HBO doesn’t need to fill a specific number of time periods as do broadcasters, at least six are expected to get a pickup.

Also, the success of True Blood may work in Thrones‘ favor. HBO has always sought to defy any sort of specific genre branding for its network, emphasizing that each project is judged on its own merits. Yet given how the vampire drama continues to gain viewers and how Showtime’s swords-and-monarchy historical drama The Tudors has performed, it’s not unreasonable to believe the network may see Thrones as a good fit.

Previous fantasy titles on TV are few and far between. ABC’s Pushing Daisies might qualify as a member of the genre, though its fantastical elements are wrapped in a modern-day crime procedural. ABC Family’s Kyle XY could fit. Some would consider the WB’s Buffy the Vampire Slayer fantasy, though supernatural drama is probably a more appropriate term. Former syndicated program Xena: Warrior Princess, however, is firmly in the genre, and NBC’s upcoming Kings also qualifies.