I’ve always been drawing and typically my stuff (when it doesn’t end up on your TV sets) just sits on a shelf in my office collecting dust. So back in ’07, inspired by the work my wife was doing with her brilliant Milky Way and the Galaxy Girls I decided to dust off some of those drawings and try and hock some of my own wares.
So that year at Comic Con I debuted my nomadic, hippie, muppet man, Wander Over Yonder. It was a real simple affair, a T- Shirt, a patch, and a sketchbook of some of my taken ‘er easy, getting back to nature doodles. Wander was well received and after a good con we still had some stuff left over. So as to not let this “rolling stone” gather too much dust like my drawings used to I’m proud to announce that Wander has launched his very own webstore. So please Wander on over and check it out when you get a chance.
Wonder Woman is the fourth film in the DC Universe Animated Original Movie series, following Superman: Doomsday, Justice League: The New Frontier, and Batman: Gotham Knight. Directed by Lauren Montgomery and produced by DC Comics animation veteran Bruce Timm, this direct-to-video animated film is based on the 1987 reboot of the character and tells the origin story of the world’s most famous female superhero. The feature-quality animation is similar in style to the anime-inspired Justice League, with a few design tweaks that give a sharper, more angular look to the film.
“Wonder Woman is one of the most iconic figures in pop culture. This movie succeeds in reinforcing her image as a female role model while firmly planting her flag as an epic action adventure heroine,” says Gregory Noveck, Senior VP, Creative Affairs, DC Comics. “I think audiences will love this modern take on a classic character.”
On the mystical island of Themyscira, a proud, strong warrior race of Amazon women lives in a utopian civilization shielded from the corrupt world of man. But a betryal within the Amazon sisterhood leads to the escape of Ares, the God of War, and Amazon Princess Diana must capture him before he unleashes global chaos and destruction. With the aid of cocky fighter pilot Steve Trevor, Diana tracks Ares to the United States for a battle unlike any humankind has ever faced.
DC Comics, Warner Premiere, and Warner Bros. Animation promote this DVD release as the first-ever official Wonder Woman feature film to be made and rated PG-13 (the first cut reportedly earned an R). This version of Wonder Woman is definitely not aimed at children, opening with a lengthy and visceral battle sequence that sets up the imprisonment of Ares by the Amazons. Characters, good and evil, meet grisly deaths by sword or other bladed weapons, with several beheadings and dismemberments. The later confrontations between Ares and Wonder Woman are nearly as violent, with a bit of on-screen blood adding to the realism; when Wonder Woman can be hurt, it makes the outcome of the story a little less certain.
The mature rating applies, as well, to the use of adult language and sexually suggestive scenes, most of which can be attributed to Steve Trevor, who makes a few racy remarks about Princess Diana’s physique and has a humorous, recurring gag of offending the Amazons with his use of the word “crap”. The casting of Nathan Fillion as Steve Trevor, the complementary opposite to Wonder Woman in the movie’s battle-of-the-sexes theme, is brilliant; Fillion channels the tactlessness and crudeness of his Captain Hammer character (Dr. Horrible’s Sing-Along Blog) and the charm of his rough-but-honorable Captain Malcolm Reynolds (Firefly, Serenity), deftly striking a balance that allows him to be likable enough to be the love interest that the Amazon Princess would believably leave paradise for, yet still retain his “sexist pig” personality.
Rounding out the celebrity voice cast are Keri Russell (Felicity, Waitress) as Princess Diana/Wonder Woman, Alfred Molina (Spider-Man 2) as Ares, Virginia Madsen (Dune, Sideways) as Queen Hippolyta, Oliver Platt (The West Wing) as Hades, Rosario Dawson (Sin City) as Artemis, and David McCallum (NCIS, Batman: Gotham Knight) as Zeus — an ensemble that “infuses thunder and passion into this epic tale of the princess who becomes the World’s Greatest Super Heroine”.
Wonder Woman is available as a Single-Disc Standard Edition, Two-Disc Special Edition, and Blu-ray Disc, and by Download, On Demand, and Pay-Per-View, with collectible packaging for the Two-Disc Special Edition and Blu-ray Disc. All formats include an exclusive sneak peek at the next DC Universe Animated Original Movie, Green Lantern: First Flight, and an audio commentary track featuring Gregory Noveck (Senior VP, Creative Affairs, DC Comics), Bruce Timm (Producer), Lauren Montgomery (Director), and Michael Jelenic (Screenplay). The Two-Disc Special Edition’s second disc carries a digital copy download for iTunes and Windows Media Player, episodes of Justice League/Justice League Unlimited — “To Another Shore” and “Hawk and Dove”, the Blu-ray edition doubling the bonus cartoons by adding “Paradise Lost, Parts 1 & 2” — featuring Wonder Woman and personally selected by Bruce Timm, and two in-depth documentaries:
Wonder Woman: A Subversive Dream
She is one of the pillars of DC Comics. We examine why Wonder Woman is important in the grand scheme of the DC Super Heroes and how her raw strength and power helped define a new generation of empowered women, who realized that their gifts of intellect and strength were just as powerful as their male counterparts.
Wonder Woman: Daughter of Myth — Covers Historical Amazon Lore and Its Evolution into the Modern-Day Wonder Woman Character
This riveting documentary historically defines the meaning of the Amazons and how this links in with the evolution of the Wonder Woman character from comics to screen.
A third documentary appears only on the Blu-ray disc:
Wonder Woman: The Amazon Princess
This featurette includes both a thumbnail history of the character of Wonder Woman featuring interviews with DC Comics creators and artists (Paul Levitz, Dan DiDio), and behind-the-scenes footage of the made-for-DVD release punctuated with interviews from the production staff and voice talent behind the film.
Wrap the golden Lasso of Truth around a lot of multi-disc sets, and the bonus features will be forced to admit they’re just filler. With Wonder Woman, there’s no padding. Each of the fascinating and informative documentaries stand up to repeated viewings, much like the film itself. The DVD would make a strong addition to the curriculum of women’s studies classes, championing female empowerment in the footsteps of Lynda Carter’s Wonder Woman, the definitive face of Wonder Woman for an entire generation of little girls who watched her TV series in the 1970s and were convinced that they, too, could transform into a superhero if they only spun around enough times.
Wonder Woman is distributed by Warner Home Video, a division of Warner Bros. Entertainment. For more information, please visit the official Wonder Woman movie website.
Steph Song ventures into sci-fi with "The Thaw" and "Paradox"
While she may have been voted “Sexiest Women in the World” by FHM magazine, Steph Song is anything but “just another pretty face”. From the moment she first began her acting career in Singapore in 2002, she’s been winning hearts and awards for her roles in dramatic and comedic television and film. Already a huge success in the Asian Pacific, in 2005 she decided to return to Canada, one of several countries she made her home in as a child. She quickly established herself in the Vancouver acting scene with roles in Everything’s Gone Green, Dragon Boys and jPod. With several films in post-production and others now making the festival rounds, Steph has kept herself very busy. She now splits her time between Vancouver and Australia, not only acting but producing with her company Island Films. She took some time out of her very busy schedule to talk a little bit about her past success, current projects and future plans.
ÜberSciFiGeek (ÜSFG) You hold degrees in nursing and journalism. Why did you decide to go into acting instead?
Steph Song (SS) Um, well, the thing with acting for me is it’s something that I’ve always wanted to do but coming from an incredibly academic family it was very much frowned upon me going into that line of career. Parents just… I guess that they, you know, just didn’t want me to be a bum on the couch, right; which probably happened for quite a few years when you first start acting. So, the thing with the nursing and journalism… I actually started off with an English Literature degree and my mother, who has a Masters Degree in Political Science and is a lecturer, she wanted me to be able to apply my skill set to something and she convinced me that English Literature is like a stepping stone degree; which it really is. I mean, if you want to apply it in any way, you need to get like a teaching degree or something. So then I put all my credits towards journalism and halfway through journalism I kind of found that I wanted to exercise something a little bit more scientific and my dad who has his PhD in Genetics encouraged me to go into medicine and well, I couldn’t quite make that commitment. So then I started something I guess kind of like Pre-med but I ended up applying most of the credits from that towards nursing and four years later I came out with a double degree in Journalism and Nursing and really not wanting to do either. I kind of told my parents, “Well, at least now you know I’ve got two degrees and I’ll never be that bum on the couch so ariva derche. I’m going to go out into the world and explore acting which is something I’ve always wanted to do anyway.” And that’s how that happened.
(ÜSFG) So, you’ve lived in other countries. You speak multiple languages. How did that end up affecting your new career goal?
(SS) Um, I wouldn’t say it affects it in any way. I speak a few languages, yes. That was due in part to my dad’s profession because as a geneticist he traveled around pioneering different programs and ended up towing his small little family as well. So we whent down to Colombia, South America, when I was young and I picked up Spanish and have subsequently and quite sadly lost that ability. Although when I hear it I understand every single word. Just the connection somewhere from brain to mouth isn’t there so I really wish I could speak it and it’s something I think I’m going to try to nourish again. And as for Chinese, I have always spoken that at home with my parents. I think that as an actor it’s very important to have, or very important to continually be expanding on, your skill set whether that is being able to sing or to dance or to do martial arts, which would be applicable I guess for me quite a bit even though I don’t know how to do it. I should, as an Asian actress. And languages are a good thing to be able to draw from as well.
(ÜSFG) You were hugely successful in the Asia-Pacific area, including a starring role in a series that was syndicated in more then a dozen countries. So, with your success abroad, why did you choose Vancouver for this step of your career?
(SS) Well, I grew up in the prairies in Canada and I’d always wanted to return to Canada, and plus I never really lost the Canadian accent and you know I feel I am Canadian. I wanted to come back here. That’s basically it, pure and simple. I loved my time in Asia because there was so… I got to do a variety of roles, like a gazillion. I got to do drama and comedy and sitcom, and sadly no sci-fi, there. It’s not a very big hub for sci-fi unfortunately, I don’t think, although there’s a lot of horror movies that come out of Korea and Thailand, right?
(ÜSFG) Yeah.
(SS) Yeah. So sadly I didn’t really get to experience that over there but hopefully it’s something I can do over here. And yeah, I came back because I’m Canadian and I love Canada despite the dreary winters.
(ÜSFG) I was looking at your Island Films website.
(SS) Oh, yeah.
(ÜSFG) You’ve really got a growing body of work there and I have to say your commercials are visual feasts. I could sit and watch those commercials all day long. Can you tell me a little bit about Island Films?
(SS) Island Films is a company that I started up with my partner Antony Redman, and he’s also an incredibly gifted writer and we decided to start it pure and simple because we just love stories. We love being told a really good story and I love going to the movies and, as I mentioned in a previous interview, my favorite thing about going to the movies is just the anticipation of being told a fantastic story, and I love sitting there with my popcorn as the lights dim and the title credits start rolling. It’s a fantastic, fantastic thing. And we started that because we just had stories and we’re always brainstorming different ideas. In fact, we’ve got a really great one called Strawberry which is a sci-fi and is set in the very, very far future and is about how… it’s dealing with cryogenics and what happens to your soul or your spirit, like if your brain is frozen and you come back does that mean your soul splinters off? It’s um… If you read the synopsis for Strawberry I think that might be something you might be interested in, Raven.
(ÜSFG) Okay. Thank you. I will definitely look that up. So, last year you were part of the award winning cast and critically acclaimed show jPod.
(SS) Mmm.
(ÜSFG) Yes, that’s actually how I became a fan of yours.
(SS) Aww.
(ÜSFG) What was it like being a part of such a dynamic cast and show?
(SS) Oh I LOVED it! Emilie (Ullerup) would be able to attest to just… It was just a joy being on set every single day with such a marvelous team of actors, and we all got along so great. Like, I count Emilie as one of my best pals.
(ÜSFG) She said the same thing about you.
(SS) Yeah, and you know I’m close with all of my other fellow podsters as well. Torrance (Coombs) lives just down the road and David (Kopp) and his girl Brandy I’m close with as well. I get to see Ben (Ayres) every now and then but he’s very busy. Um. I wish I got to see more of him. But it was fantastic. The writing is sharp. The sets were always phenomenal. We had almost a different director for every episode and they always brought fresh and wonderful ideas. And it’s Douglas Coupland. He’s just an iconic part of cultural history, the voice of a generation. So, there’s always a little trepidation going into a project that could profile in such a big way and it was such a joy, really wonderful and really quite sad. I was genuinely very distressed when the season ended and then we found out that the show was just a little bit too forward-thinking and had been canceled. And we had a legion of fans as well, which was, you know… The CBC was going for that demographic and I guess maybe, you know that particular demographic tends to download a lot more then they tend to watch TV so, um, I think it was due in part to ratings but also it was just too forward-thinking for that particular network.
(ÜSFG) Well, Emilie, when I talked to her about it, she said she thinks it’s dead but the fans are still hoping they can at least get a special to wrap up the cliffhanger ending.
(SS) Huh. Mmm. Well, I’m not… I can’t tell you anything that the writers had prepared for the second season, but let me tell you, it would have been freaking hilarious. Like, I was almost rolling on the floor laughing when the writers were telling me what they had prepared for the second season. It’s just, you know, if it’s crazy and strange and wonderful in the first season it just gets ten times more so in the second season, what they had prepared. And it’s just a dreadful shame, and you know what, I’m going to hold hope and be optimistic that the producers have enough sway to command a [special] but I’m not sure about that. I, too, feel that it might be dead.
"It was just a joy being on set every single day with such a marvelous team of actors, and we all got along so great."
(ÜSFG) Yeah, so… Right now you have two films in post-production, The Thaw with Val Kilmer and Paradox with Kevin Sorbo. Now, I’m familiar with Paradox slightly, because I am a comic book geek, but what is The Thaw about and who do you play in it?
(SS)The Thaw is about a group of science, or geology, students and they go up to… the Arctic I think is where it’s set, where they’ve discovered… where a scientist played by Val Kilmer has discovered the carcass of a woolly mammoth completely intact. And while he’s investigating, while he’s dissecting this carcass, he realizes that there is some kind of prehistoric bug that has initially killed the woolly mammoth that has thawed out, has started to thaw out in the mammoth and is quite open to infecting and killing other creatures. One of them being a polar bear and they, um, the students find out that the bug isn’t above infecting humans.
(ÜSFG) And then the fun starts.
(SS) Yeah, and then the fun starts.
(ÜSFG) Alright, so Paradox. It’s kind of a sci-fi/fantasy that takes place in an alternate universe Earth where magic is the rule, and you have a pretty significant part in this.
(SS) Yes. I play the female lead role opposite Kevin (Sorbo) and… I’ve always been fascinated with the concept of [other life] in the universe. I still kind of believe that there can be. I mean, it can’t just be us here, right? That’s just narrow-minded to think that we are the only… we’re the only living, logical creature in this universe. Even then, sometimes when you look around, it doesn’t really seem to make sense. But, um, the story came about… well, the script came to me about November of last year and at that time they hadn’t attached a male lead to it yet. It’s about a detective called Sean Nault and he is investigating a series of crimes and murders and he lives in a magic world. Things are run by magic and spells and it’s an Earth very similar to our Earth except where everything here runs on science, over there everything there runs on magic. Anyway, as he’s investigating these crimes he realizes there is something called a “gun” and something called “bullets” that go into that gun and “how is that possible? What is this weapon? We’ve never seen anything like this!” Which takes him to Lenore’s shop and I’m Lenore, a woman who believes in science in this magic world and therefore is kind of whispered about and not really accepted in society. He and Lenore start investigating these crimes and find a portal into the science world, and go into the science world, and that’s about all I can tell ya.
(ÜSFG) Now you got to…
(SS) And Emilie is actually in that!
(ÜSFG) Yes! I was just getting ready to ask about that. She said she…
(SS) It was so wonderful because the director, Brenton Spencer, has directed a few episodes of Sanctuary and when I met with him he was talking about Sanctuary and, um, it was our brilliant idea that Emilie must most definitely come in, her being a good pal of mine and him having worked with her before, and the whole Sanctuary connection. It was like, “Well, she has to be in it, no ifs, ands or buts” and so I got on the phone and I absolutely wrangled her into the project. It was great to work to work with Emilie again. Any time, any day.
(ÜSFG) Well, hopefully we’ll see you on Sanctuary in Season 2.
(SS) I’ve talked to her about that. I said, “You know, even if like I come back as a hideous monster or something and we have a big fight scene between the two of us. Awesome.” And she was like, “We’ll find something better for you than that.”
(ÜSFG) Well, when can we expect to see The Thaw and Paradox in theaters? Have there been dates set yet?
(SS) Um, there are quite a lot of visual effects that are going to be going into Paradox so I don’t expect to see or hear anything with Paradox for at least, minimum, at least six to eight months, although I am anticipating it coming out because we did some great work on that. It was a very, very fun set. Um, and The Thaw I think will be released in spring, I guess to coincide with…
(ÜSFG) The thaw…
(SS) Ya know, spring and everything thawing out, right. I think that’s when they are aiming for a release. I’m not 100% sure, although the trailer is already out so they can’t be too far away, and I’ve already done ADR on it so I think it’s just around the corner.
(ÜSFG) Well, I look forward to that. Are there any other projects that we should be keeping an eye out for this year?
(SS) Um, well, there’s Dim Sum Funeral, a film that I did just before The Thaw in March of last year, and that’s to do with an Asian-American family, four siblings who come together to bury their mother in a traditional Chinese funeral. Not science fiction at all, more of a family drama. They are completely antagonistic siblings… they are towards each other, which I’m guessing a lot of people can relate to. I know I didn’t like my sisters for a very long time and, um, that’s currently doing the film festivals. That’s going to, um… It just had its premiere at Pusan Film Festival last year and then was at AFI and then just, I think about a week ago, was at the Santa Barbara Film Festival, and now it’s going to the Singapore Film Festival and then the New Port Beach Film Festival and then the L.A. Film Festival and then the San Francisco Asian-American Film Festival… It’s just doing the circuit of festivals right now but I think it’s going to be airing at some stage on HBO. Apart from those three, nnn… not much.
(ÜSFG) Not much?
(SS) There are a few projects in the pipeline right now but I’m not allowed to talk about them until I get on set. A little… just a little superstition of mine that I shouldn’t start chitter-chattering about things I want to work on because I might not actually be on it.
(ÜSFG) I understand. I have the same problem. I do a lot of projects and if I… the more time I spend talking about it before I actually do it, the less I actually get done, so I understand.
(SS) Yeah.
(ÜSFG) Well, we covered everything that I really wanted to go over, so I know you’ve got a deadline. Is there anything else you want me to share before you run off?
(SS) Um, no, except I am, um… my first experience in sci-fi on Paradox I just loved, and I hope to do more of it. I guess The Thaw is kind of a…
(ÜSFG) Sci-Fi/Horror.
(SS) Sci-fiction kind of thing, more of a horror, but that was a fun experience too. I got to do a lot of screaming. It was a screamer. It was my first screamer and I feel like I’ve done permanent damage to my voice box. But it was good fun and, um, I hope to be able to show you guys something more. I hope to be able to produce something like Strawberry, so check that out on my Island Films website. Strawberry is a script that I would love to see made. The screenplay is finished. It’s fantabulous. I love it and I think we’re going to try to start funding it. I dunno; feature it on your website. You’ll find it on the Island Films website under Films. It opens up onto a bunch of, whachamacallit, I guess concept art posters and you’ll see Strawberry. It’s on the bottom right-hand corner, and click on that and it should take you right to a synopsis page so you can read the synopsis. I’m going to try to start finding funding for it so if anyone is interested, contact Island Films. Thank you very much, and I will keep you posted on those three… the two upcoming projects, and let you know where they are at and when they are going to come out, and so on and so forth.
"Strawberry" is a sci-fi thriller about what happens to your soul when your body's on ice.
(ÜSFG) Thank you, Steph!
While we have to wait a while for Paradox, you can expect The Thaw to arrive in theaters sometime this spring. Dim Sum Funeral is currently showing at festivals and will soon air on HBO. jPod is available to watch streaming on CBC.com and TheWB.com, and can be purchased from Amazon.com. Also, don’t forget to stop by stephsong.com and islandfilms.net to keep up-to-date on Steph’s latest projects.
Girl Genius, by Phil & Kaja Foglio: Adventure, Romance, MAD SCIENCE!
In a time when the Industrial Revolution has become an all-out war, Mad Science rules the World… with mixed success.
At Transylvania Polygnostic University, Agatha Clay is a student with trouble concentrating and rotten luck. Dedicated to her studies but unable to build anything that actually works, she seems destined for a lackluster career as a minor lab assistant.
But when the University is overthrown, a strange “clank” stalks the streets and it begins to look like Agatha might carry a spark of Mad Science after all.
The award-winning Girl Genius, a Gaslamp Fantasy that started as a comic book series then turned into a webcomic, is currently available online and in graphic novel collections.
Retro sci-fi and steampunk fans, rejoice! Weta, the company best known for creating the sets, costumes, armour, weapons, creatures, and miniatures in The Lord of the Rings film trilogy, presents Dr. Grordbort’s Infallible Aether Oscillators & Other Marvelous Contraptions.
Dr. Grordbort’s Infallible Aether Oscillators is a line of 1:1 scale antique styled, sci-fi hand weapon props, conceived by Weta designer Greg Broadmore and meticulously built by master model maker David Tremont. With charming 1900s contraption styling and finish, the Rayguns evoke the nostalgia of a lost age of exploration and discovery, and possess an intentional sense of humour and fun in their design.
Six years ago, Greg started illustrating classic Rayguns, and after creating a series of nine full-size illustrations on canvas, he showed Weta Workshop’s Richard Taylor, who, in turn, asked for a painting of his own. Greg agreed and tentatively suggested launching a range based on these drawings. And the rest is history.
“Dr. Grordbort’s Contrapulatronic Dingus Directory plays to all that Sci Fi imagery I love”, grins Broadmore. “It’s full of bizarre inventions and man-melting weaponry. The three Rayguns are featured alongside many others including Servile Automatons, War Wagons and even Mass-mo-trons. Almost all of them are capable of accidentally crippling the user or worse. That’s one of the things I loved about the classic Science Fiction machinery. They all looked like death traps. Just as likely to kill you as your enemy.”
The Rayguns have exploded onto the web, featured in collectors’ Christmas and birthday wish lists, and have been featured on International Directory BoingBoing.net and Gizmodo.com, who dubbed the Rayguns “your weapon of choice… a Raygun that’ll blast away giant monkeys… or evil wizard dudes”. WIRED Magazine recently featured a six page spread on the making of these weapons and New Zealand daily newspaper The Dominion Post dubbed the heaviest of the Rayguns, the Goliathon 83, “Weta’s Alien Buster”.
Creator Greg Broadmore, a self-confessed gun nerd, says the contraptions have been a long time coming in his mind. “I clearly and fondly remember watching the old black and white serials on Sunday afternoons as a little kid and the classic Sci Fi imagery has always stuck with me”, says Greg. “The swept shapes, spikes, fins and beautiful forms that are all jammed together with boiler plate and extraneous mechanical detail. That’s how I saw Flash Gordon, Tarzan, King Kong and others. But what I’ve [always been] fascinated by is the macho idiocy of the ‘hero’ in science fiction. The ‘heroic’ attitude of killing anything and everything in sight, especially if it’s jeopardizing the swooning heroine.”
The guns are limited edition pieces. There will be only 500 of each gun made worldwide, except for the Victorious Mongoose, of which there are only 400. All of these are handcrafted and made out of metal with some glass parts. Every Raygun comes with its own Moon-velvet lined pressed tin case, Certificate of Authenticity and an assortment of implements and crafting tools. Not only that, these bad boys will be a decent punch of metal — with each gun weighing in at over 7 pounds, these are no light investment.
“The original three Rayguns were previewed at Comic-Con San Diego 2006, and went on sale the following year at Comic-Con 2007, each limited to an edition size of 500. In under two years, 1000 of those original three high-end collectible Rayguns have sold, and a further three Rayguns have been released,” says Tim Launder, General Manager of Weta Limited. “We sold more than half of the Ray-Blunderbuss guns within the first month of release — including edition Number #1. Since Dr. Grordbort’s launched in 2006, we have had an overwhelming response to Greg Broadmore, the Rayguns, and to the world in general. This includes the Rayguns being voted #1 Best Toy in 2007 by Figures.com; Greg Broadmore being featured as ‘Tomorrow’s People’ on the cover of Idealog [September 2007] and a four-page spread in Wired — all about the Rayguns, Greg and Richard. We’ve even popped up on YouTube in an online ad in Australia.” The online viral campaign for the Rayguns has also been greatly successful, garnering several international awards:
NZ Direct and Interactive Marketing Awards 2008: Winner (Gold)
Caples Awards 2008, in New York: Winner (Gold)
ECHO Award 2008: Winner (arguably the most coveted award in global direct marketing, the presentation takes place in Las Vegas on October 14, hosted by Jay Leno of The Tonight Show)
Cannes Lions Advertising Festival 2008: Product Launches Finalist
Cannes Lions Advertising Festival 2008: Direct Response TV Finalist
Doctor Grordbort's Contrapulatronic Dingus Directory
Doctor Grordbort’s Contrapulatronic Dingus Directory cleverly uses the style of old Victorian advertising leaflets to showcase the Dr. Grordbort’s line, all the while maintaining, with a wink and a nudge, that everything within the faux catalogue’s pages is real. The full-page artwork is printed on heavy cardstock, and each page is laden with information and humorous asides about the many types of rayguns and other improbable inventions attributed to Dr. Grordbort and his cohorts, including the rayguns that Weta has already released as props. The Destroxor Labs Pearce 75 Atom Ray Gun, with its glossy red accents and stabilising fin, is the classic image of a Buck Rogers-era weapon, and will hopefully will be next up on Weta’s production roster. The Contrapulatronic Dingus Directory also contains a page of testimonials from “customers” who have tried the catalogue’s products (and survived to tell the tale); a short comic portraying a typical day in the life of the stereotypicallly English, world famous naturalist, Lord Cockswain; and postcard art. It’s pulp fiction at its sly best.
Dr. Grordbort's Satchel
Once you’ve perused the catalogue, you’ll naturally want to set out and explore. Every adventurer needs a pack while out in the field, though, so Weta has thoughtfully provided Dr. Grordbort’s Satchel. It’s the perfect bag to tote your copy of the Contrapulatronic Dingus Directory around in, and, until February 28, it comes pre-stuffed with a Wave Disruptor Gun keychain, Goliathon 83 Infinity Beam Projector pin, four postcards featuring Dr. Grordbort art, and a Dr. Grordbort’s Laboratories Schemes & Schematics notebook, each lined page stamped with the Dr. Grordbort logo. Even with all these bonuses, the bag is roomy enough to hold the rest of your steampunky supplies. For ladies, the canvas satchel also makes a creative alternative to a handbag. This is an accessory that will get noticed, and coveted, by fellow steampunk geeks.
F.M.O.M. Wave Disrupter Gun, Miniature Version
Now that you’ve got your field guide and a kit, you need to invest in some self-protection. If you don’t have the pocket change to expend on a full-scale raygun, then the F.M.O.M. Industries Wave Disrupter Gun, Miniature Version, is the firearm for you. Released in a Limited Edition of 900, it’s an itty bitty clone of the standard Wave Disrupter Gun. As the package describes it, “You cradle in your limp mitts a marvel of modern miniaturisation; Dr. Grordbort’s F.M.O.M. Wave Disrupter Gun, impoverished in scale by one of his ingenious contraptions. Golly!” It may be small, but this raygun is crafted with every bit of the care put into its bigger sibling, down to the weathered aging. (It’s also more concealable at this size.) In another nice touch, the gun separates from the base it rests on, so you have a choice of displaying the raygun with or without its stand. The attention to details is simply tremendous, an example being the tiny, amusing notice on both the model’s base and box which reads:
Made on Venus*
*not actually
The sturdy cardboard case the mini Wave Disrupter Gun comes in is numbered to match the collector’s model it houses. Shaped like a book, it’s coated entirely with glossy paper and printed with sepia-toned art and photos of the enclosed figurine. The hinged lid fastens shut with a concealed magnet, so once the flocked tray and other padding materials are removed, the box makes an ideal storage place for Dr. Grordbort pins, keychains, and other small treasures.
Fans of Dr. Horrible‘s Evil League of Evil will thrill to the upcoming Goliathon 800 Moon Hater Death Ray, as nothing quite says “mad genius” like a lair equipped with an old-school weapon of mass destruction. Order one, and you’ll be the envy of all the other supervillians.
Once you’ve stocked up from Dr. Grordbort’s catalogue, head on over to the official website to leave a testimonial and assert your bragging rights in the forums. The site carries full descriptions of all the raygun collectibles currently on the market, an image archive, and web comics, as well as a bestiary that describes and illustrates the many alien creatures you’ll be chasing down with your new raygun. According to Weta, there’s much more in the works for Dr. Grordbort fans to look forward to, such as designer t-shirts, pins, key-rings, postcards, limited edition art prints, and, one would assume, brass goggles. New pieces will be launched every few months.
For product details and purchasing, please visit WetaNZ.com and Dr. Grordbort’s. Select items are available through the Dark Horse Comics website (search keyword: “weta”).
The Coraline movie premieres on February 6, and what better way to count down the days than to read, or reread, the award-winning children’s book by Neil Gaiman?
When Coraline explores her new home, she steps through a door and into another house just like her own… except that it’s different. It’s a marvelous adventure until Coraline discovers that there’s also another mother and another father in the house. They want Coraline to stay with them and be their little girl. They want to keep her forever.
Coraline must use all of her wits and every ounce of courage in order to save herself and return home.
Coraline: The Movie Collector’s Edition is a new hardcover edition of the 2002 novel. It retains the original book’s interior illustrations by Dave McKean, but now has a movie art cover and an eight-page insert of full-colour images from the film. A section at the back of the book, entitled “Extra Delights for the Coraline Reader”, features a note from Neil Gaiman about director/screenwriter Henry Selick (The Nightmare Before Christmas, James and the Giant Peach), a note from Henry Selick about author Neil Gaiman, and an excerpt from Henry Selick’s screenplay for Coraline. Even if you have the first edition of Coraline, the Movie Collector’s Edition is well worth getting for these bonus materials.
Serving as a bridge between the novel and film is Coraline: A Visual Companion by Stephen Jones. This weighty coffee table book, with a foreword by Neil Gaiman, is a comprehensive guide to the making of the Coraline movie, divided in four parts:
The Book
The Movie
The Characters, and
The Other Coralines, a catch-all category covering Coraline‘s related projects:
the 2004 short student film of Coraline that combined live-action and cut-out animation.
the 2006 touring stage production of Coraline by Irish theatrical puppet troupe Púca Puppets.
the 2007 touring stage production of Coraline by Swedish children’s and youth theater group Mittiprickteatern.
the 2008 Coraline graphic novel adaptation by P. Craig Russell.
the 2009 Coraline: The Game, D3Publisher of America’s game adaptation of the film for PlayStation 2, Nintendo DS, and Wii.
the 2009 Coraline musical, a theatrical adaptation with music and lyrics by Stephin Merritt and book by David Greenspan, produced by MCC Theater and True Love Productions off-Broadway at The Lucille Lortel Theatre in New York, set to have its world premiere on May 6.
movie tie-in marketing campaigns, such as in-store promotions with American fast-food restaurant chains Macy’s and Carl’s Jr., cards and gift-wrap at Hallmark, and toys created by NECA.
Glossy pages trace Coraline‘s path from novel to stop-motion film in lush detail, accompanied by a wealth of behind-the-scenes production photos, preliminary sketches, illustrations, character designs, conceptual art, and completed images from the movie. Interviews with cast members Dakota Fanning (“Coraline”), Teri Hatcher (“Mother/Other Mother”), Ian McShane (“Mr. Bobinski”), Jennifer Saunders (“Miss Forcible”), and Dawn French (“Miss Spink”) — John Hodgman (“Father/Other Father”) curiously absent — and the film’s crew, including Neil Gaiman, add further insight into the film’s creative process. Coraline: A Visual Companion is a peek behind the animated curtain “that will appeal to Gaiman fans, cinema buffs, visual art enthusiasts, and all those who fall in love with the inquisitive young heroine of Henry Selick’s extraordinary film.”
Once you’ve read Coraline, and spent time in its Other World, you’ll never look at buttons the same way again. (Trivia Note: The fear of buttons is known as “koumpounophobia”.)
Coraline: The Movie Collector’s Edition and Coraline: A Visual Companion are distributed by HarperEntertainment and William Morrow, imprints of HarperCollinsCanada and HarperCollins Publishers. For more information on Coraline, visit the Neil Gaiman website and its related website for young readers, Mouse Circus. Neil Gaiman may also be followed on Twitter.
from Garfield Minus Garfield and thank you all for your support over the year.
I’m going to take a break for a few days but in the meantime if you’d like to show your support for G-G, please vote for it in the tumblr awards. It’s in the Overall Best Tumblelog and Best Image Posts categories.
“The planets are living powerful beings and the sentient species that occupy their surfaces are their children. They face a crisis when their elemental lifeblood begins to seep into the children, eventually culminizing into a soulstone which gives them great powers, but at the cost of their life and eventually that of the planets’ too. One childless planet, Earthsong, is given the task of retrieving these children from their homeworlds and bringing them to her surface where they are safe. She is given tools made of Siderean, or star, element which allow her to remove the soulstone from its host and both back to their planet of origin. Visiting children remember little of their previous lives while on Earthsong and when they return they recall only glimmers of what occurred during their time away. These individuals often build up legends and myths around their strange and fragmented memories of alien species.”
Earthsong: Volume 1
A young woman named Willow awakens to find herself on a mystical world with no memories of her former life. She soon discovers that not only are the residents of this world fantastical creatures of ancient lore, but the planet itself is alive and conscious… and in grave danger! Caught in the middle of a terrible struggle, Willow must come to terms with a harsh reality not of her choosing.
You’ve watched Star Wars: The Clone Wars, but have you been reading the stories between the episodes? Each week a new episode of The Clone Wars airs, it is preceded by an all-new web comic exclusive to StarWars.com. It can be found at http://starwars.com/clonewars/comic/. Five to seven pages in length, each installment contains a side or bridge story that ties in directly to that Friday’s episode. Here’s a recap of the tales that have been told and a preview of future installments:
#1 “Prelude” — A tie-in to the premiere episode, “Ambush,” this story features the clones that accompany Yoda to the moon of Rugosa — Rys and Jek — as they are given their assignment. It also debuts Skytop Station, a Separatist listening post that now, a month later, will begin to be featured in the episodes.
#2 “Shakedown” — Before the Republic definitively discovered what General Grievous’ new secret weapon was in “Rising Malevolence,” many warships fell to the experimental ion cannon. This comic story depicts an ill-fated mission.
#3 “Procedure” — Anakin is determined to do something about the threat of the Malevolence, and his characteristic reckless initiative takes him to a Republic military testing facility where he secures the weapons he’ll need in the episode “Shadow of Malevolence”.
#4 “Agenda” — When Padmé Amidala emerged from hyperspace right into the path of a Separatist warship in “Destroy Malevolence,” she was on her way to a diplomatic mission. In this tie-in comic, she not only gets this crucial assignment, but also has to shuffle priorities in a busy day-in-the-life of a Galactic Senator, even if it means ignoring a plea for help from an old friend.
#5 “Mouse Hunt” — In “Rookies,” Clone Captain Rex and Clone Commander Cody have finished an inspection tour of a tracking station on Pastil — this comic tells that story. A Separatist spy droid is discovered on Pastil, and the clone officers mobilize the troops to stop it.
#6 “The Fall of Falleen” — In “Downfall of a Droid,” we learn that the Separatists have been enjoying a string of successes, including the conquest of Falleen. This comic documents Asajj Ventress’ role in that victory.
Other stories coming up include “Discount,” wherein droid dealer Gha Nachkt brokers a shady sale for a Separatist leader. In “Transfer,” Anakin dispatches Ahsoka Tano on a personal errand despite the wishes of the Jedi Council. And in “Departure,” a simple attempt to prep a ship for transit ends up in a nightmare when C-3PO and Jar Jar Binks are involved.
If you missed the last two episodes on TV, you can watch the new animated Star Wars TV series right now at StarWars.com!
In 1990, at the start of the boom of licensed comics, Dark Horse began publishing Terminator. Now, on the eve of the 25th anniversary of the first Terminator film, Dark Horse is excited to announce the return of all new Terminator material for a whole new generation of fans!
With renewed interest in the property in both television and film, Dark Horse announced today its intent to begin creating new comics for release in conjunction with the film’s silver anniversary in 2009.
Rand Marlis, President of Creative Licensing Corporation who represents all Terminator tie-ins, said “I’m thrilled to be once again working with Dark Horse. They are a superb comic book company and really know the Terminator world. Our prior Dark Horse comics are classics and we look forward to more quality stories and art from the Dark Horse team.”
Dark Horse president and publisher, Mike Richardson stated “We’ve had great success with the ongoing saga of Sarah and John Connor in the past, and the worldwide interest in Terminator has us eager to begin a brand new series picking up where we left off.”
The publisher went on to say that the storyline is being developed and the creative team will be announced shortly.
Dark Horse’s successful Termintor Omnibus Vol. 1 & 2 are currently available at a retail price of $24.95.
Dark Horse Comics has published the absolute compendium of comics featuring Jedi Master Luke Skywalker, the 832-page tome Star Wars: Luke Skywalker, Last Hope for the Galaxy: From Tatooine to Dark Empire. “Epic” is the word Dark Horse uses to describe the book, enthusing, “Luke Skywalker’s greatest adventures from over thirty years of comics are compiled in a single slipcased hardcover! A deluxe edition worthy of the hero who saved the galaxy, this massive volume follows Luke Skywalker on his journey from the moisture farms of Tatooine to the final days of the Dark Empire! Each story painstakingly selected from every Luke Skywalker comic ever published — from Marvel’s first issue to Dark Horse’s latest — this masterpiece collection is the ultimate portrait of one of the most widely known and widely loved heroes of modern mythology! All of the most exciting, most significant stories of Luke Skywalker are here in this breathtaking oversized hardcover. Never has there been a more magnificent assemblage of Star Wars comics, or a more perfect prize for any Star Wars fan!”
Includes:
“Luke Skywalker’s Walkabout” — Dark Horse Presents Annual 1999
“Falling Star” — Tales #15
“The Day After the Death Star” — Marvel UK Star Wars #97-99
“The Return of Ben Kenobi” — Classic Star Wars #10-11
“Crucible” — Marvel Star Wars #17
“General Skywalker” — Empire #26-27
“The Wrong Side of the War” — Empire #36-40
“My Brother, My Enemy” — Rebellion #1-5
“Riders in the Void” — Marvel Star Wars #38
“Splinter of the Mind’s Eye”
“Shira’s Story” — Marvel Star Wars #60-63
“Duel With a Dark Lady” — Marvel Star Wars #95-97
“Dark Empire”
“The Boy I Once Was” — Chewbacca #4
In honour of 2007’s 30th anniversary of Star Wars, Dark Horse Comics has also rereleased the highlights of their Star Wars comics line in the limited-edition hardcover Star Wars: 30th Anniversary Collection: “Since 1991, it has been Dark Horse Comics’ privilege to bring its readers monthly adventures set in that galaxy far, far away. It is to celebrate thirty years of Star Wars, and to thank our loyal readers that we present this twelve-volume collectors’ showcase of some of the finest graphic novel sagas ranging from one end of the Star Wars timeline to the other.” These commemorative books, with their matching black-matte-and-silver covers, inset with glossy, full-colour art panels, will be a focal point of any Star Wars library, so be sure to get them while you still can.
Dark Horse Comics’ Star Wars titles are recommended for ages 12 and up.
Star Wars: Luke Skywalker, Last Hope for the Galaxy: From Tatooine to Dark Empire and the Star Wars: 30th Anniversary Collection are distributed by Dark Horse Books, a division of Dark Horse Comics, in partnership with Lucas Books. For more Star Wars information, visit Dark Horse Comics’ Star Wars Zone.
